§§§§нoџџџџџџџџ2Final Draft, Inc. 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BEVERLY HILLS - THE PRESENT - MORNING Bank President, MARK MONACO, distinguished, middle 30's, dressed stylish, grimaces as he drives his Mercedes in and out of morning traffic on Sunset Boulevard. Stops at a RED LIGHT. TAPS his fingers nervously on the steering wheel as nearby DRIVERS BEEP their horns and SHOUT at each other. DRIVER 1 Why the hell don't you learn how to drive, you idiot? DRIVER 2 Why the hell don't you stop tail-gating me, you jerk? The LIGHT changes. Mark starts left turn onto Rodeo Drive. Oncoming car comes through red light, swerves and just misses his car. Mark hits brakes, wheels SCREECH, car swerves, but he manages to control the car without incident. Angry and a bit shook up, he drives a few more blocks and enters underground parking structure of Beverly Hills International Bank and parks. SIGHS, shakes his head at close call. EXT. BEVERLY HILLS INTERNATIONAL BANK PLAZA - CONTINUOUS Mark walks out of parking structure and into the crowded bank plaza. A big Banner reads, "Los Angeles Ethnic Awareness Week." Diverse GROUPS: Latino, African American, Japanese, Italian, Armenian, Russian, etc., dressed in their ethnic attire, entertain, sell jewelry, art and food. Mexican Mariachi BAND PLAYS on a portable stage. Mark looks with interest at the event as he walks toward Tony's Barber Shop, a few doors from the bank and enters. INT. TONY'S BARBER SHOP - CONTINUOUS Italian film stars and Italian travel posters decorate the walls. Tony finishes tacking up a poster. MARK Well, Tony, I see you've decorated the shop for the occasion. 0002000006820000063767C,TONY Just celebrating our Italian heritage, Mr. Monaco. Have a chair. Mark sits in a barber chair. Tony puts an apron around him. MARK I guess I'm not very Italian for being Italian. Since my father passed away, my family's pretty much assimilated into the mainstream. TONY We all have. But I think it nice to remember our roots and celebrate our heritage once in a while. Tony HUMS Italian song as he trims Mark's hair. TONY (CONT'D) ...So, how's it going, Mr. Monaco? MARK I don't know. I'm totally stressed out. Everything bugs me. Maybe I need a vacation. TONY Hey...why don't you take a trip to Italy and visit your relatives, like I did last year. I had a ball. MARK Hmmm. That might be fun, but I don't know who my relatives are or where they live. TONY I bet someone in your family knows. Check it out. Tony continues cutting Mark's hair. EXT. OUTSIDE BARBER SHOP - CONTINUOUS Tony and Mark look at the stage as ITALIAN SINGERS, MUSICIANS and DANCERS now perform. Mark smiles, TAPS his foot and nods his head in time to the music. Tony watches Mark. MARK I haven't heard the song since I was kid, Tony. TONY See, you still remember. Maybe you're more Italian than you think you are. Mark smiles, nods farewell to Tony and walks toward the bank HUMMING along with the music. INT. BEVERLY HILLS INTERNATIONAL BANK - CONTINUOUS Mark enters. EMPLOYEES dressed in diverse ethnic garments. EMPLOYEE 1 Good morning, Mr. Monaco. MARK (nods) Good morning. EMPLOYEE 2 Good morning, Mr. Monaco. MARK Good morning. Mark forces half-smile and nods to other EMPLOYEES as he walks toward a door with "Mark Monaco-President," printed on it and enters 00020000062100000CB361B,INT. MARK'S OFFICE Italian MUSIC from the plaza FILTERS softly into his office. Mark looks out the window and watches Italians perform. Once again he nods his head to the music. INTERCOM BUZZES. Mark sits at his desk, FLIPS INTERCOM SWITCH. GIRL (O.S.) Mr. San Juan, calling from Argentina. MARK (picks up phone) Hello, Mr. San Juan. How are you? -- Good, good. I looked over your loan papers and I'm afraid there's not enough collateral to okay the loan. Three hundred million dollars is a lot of money -- All right, talk it over with your associates and get back to me -- Sounds good. Goodbye. CHINESE SECRETARY in colorful Chinese-print dress enters and puts two folders on Mark's desk. Mark studies the girl. JENNIFER WONG Here's the folders you wanted, Mr. Monaco. MARK Thank you, Jennifer. Very nice outfit you're wearing. JENNIFER Thank you, Mr. Monaco. I bought it in Hong Kong last year while I was on vacation visiting my relatives. Is there anything else you wanted? MARK Yes. Tell Ms. Hill that I want to see her. JENNIFER Yes, Mr. Monaco. Jennifer leaves. Mark peruses the two folders. Shortly, attractive, sharply dressed, SHANNON HILL, Mark's trustworthy vice-president, enters. SHANNON HILL You wanted to see me, Mark? MARK Yes, Shannon. I want you to take care of these. Mark hands Shannon the two folders. MARK (CONT'D) I'm going to pass on the Malibu property. The interest rate is too high, and the default rate makes it risky. However, let's buy the Denver and Indiana Bank portfolios. SHANNON I'll take care of it, Mark. 000200000613000012CE60D,MARK Thanks, Shannon. Shannon leaves. Mark opens another folder. He subconsciously taps his pen on the desk to the Italian MUSIC from outside. INTERCOM BUZZES. Mark FLIPS INTERCOM SWITCH. GIRL (O.S.) Bank president, Nino Lombardo, calling from the Bank of Rome. MARK (picks up phone) Nino, how are you? How are things in the beautiful city of Rome? INT. BANK OFFICE - ROME, ITALY - LATE AFTERNOON NINO (Always Italian accent) Bene. Molto bene, Marco. When are you coming to visit? I know I've asked you several times, but you really should come and visit the "Old Country." Nino Lombardo, middle-aged with a cherubic face, nudges soccer ball around his office with his foot as he talks on phone. MARK You're the second person to ask me that today, Nino. NINO See. It's an omen. The time has come, Marco. Come see the beauty of Italy. Maybe even look up your relatives. Who knows, you may be related to Leonardo da Vinci. MARK (laughs) That's an interesting concept. Hmmm. Anyhow, how's business? INT. ANOTHER OFFICE IN NINO'S BANK IN ITALY Shifty-eyed MAN, with his hand over the mouthpiece of a telephone, listens to Mark and Nino talk. INT. NINO'S OFFICE - CONTINUOUS NINO I have a little situation. MARK Is there anything I can do to help? NINO I need a loan of 400 million. I was negotiating with a local bank at a very low rate. Then I heard rumors that the bank may be involved in laundering drug money so I backed out. Since then they've been pressuring me to borrow the money. INT. MARK'S OFFICE BEVERLY HILLS - CONTINUOUS 00020000069D000018DB697,MARK That does sound suspicious. I think we can work things out. We always have. NINO Thanks, Marco. I can fly to L.A. tomorrow. I'd like to expedite matters, if that's okay with you? Mark stands, looks out the window at the Italian performers. MARK Tell you what, Nino. Maybe, just maybe, I'll come there. What the hell! I could use a vacation. NINO That's fantastic! MARK I'll call you tomorrow, okay? NINO Okay. If you decided to come, I'll make all the arrangements. MARK That would be great. Ciao, Nino. NINO Ciao, Marco. INT. OTHER OFFICE IN NINO'S BANK IN ITALY - CONTINUOUS The shifty-eyed man gently puts the phone down, looks around suspiciously, then DIALS. SHIFTY-EYED MAN I want to speak to Carmine Bellanazzo. INT. BEVERLY HILLS BANK - CONTINUOUS Mark walks to office door of "Shannon Hill-Vice President." Opens the door sees Shannon working at her desk. MARK Shannon, I'm thinking about going to Italy on business and a short vacation in a day or so. Are you clear to take over, if I decide to go? SHANNON You can count on me, Mark. MARK Great. Thanks, Shannon. INT. DINING ROOM JOSEPHINE MONACO'S PLUSH HOME - NIGHT Mark at the dinner table with his well-to-do, snobbish mother, JOSEPHINE, (wearing a crucifix). Also, his pompous, balding, older brother, VINCENT, an attorney, (sporting a very large Italian mustachio). Also, Mark's handsome, conceited, playboy cousin, GUY and his pretty finance, FELICE. PAVAROTTI SINGS "O Solo Mio on the CD player. Mark in jovial mood as they dine on Italian food. MARK ...and since I speak enough Italian to get by, I thought after I take care of business and see some sights, I'd even look up some relatives. 00020000061600001F72610,JOSEPHINE I wouldn't do that! MARK Why not? JOSEPHINE I never told you this before, but your late father came from a Dr. Jekyll and Mr. Hyde family. MARK You mean they're like us? Mark smiles, Josephine and Vincent frown, Guy indifferent. Felice fights off a smile. JOSEPHINE Your sense of humor eludes me, Mark. I wish you could visit my family, but they disowned me when I married your father. They didn't think much of his family and never dreamed he'd become a successful banker. VINCENT Why would you want to visit father's relatives at all? We have absolutely nothing in common with those people. JOSEPHINE Your brother, Vincent, is right, Mark. We're totally American now. Mark holds up his fork with a meatball on it. MARK Really? If that's the case, how come we're eating spaghetti and meatballs, drinking wine and listening to Pavarotti sing "O Sole Mio." Vincent and Josephine frown again, Guy indifferent. Felice smiles at Mark. VINCENT Personally, I find it hard to think of myself as Italian anymore. Ah...pass the spaghetti and meatballs, will you Mark. Mark shakes his head and with a patronizing look passes the spaghetti and meatballs. Josephine CLINKS her glass with a spoon. All look her way. JOSEPHINE I have an announcement. Guy and Felice have finally decided to get married. VINCENT It's about time. Congratulations! MARK (raises his wine glass) Here's to Felice and Guy. All raise their glasses. Guy quickly sips his wine and then continues eating with an aloof look. FELICE (studies Guy) Are we boring you, Guy? 00020000068A00002582684,GUY I just hope after we're married, I get to see you once in a while. You're always busy helping your father run his business. FELICE I can't help it if he owns half the real estate in town! Let's be honest. When I have time, you're traveling around the country selling imported Italian olive oil! JOSEPHINE (forced smile) Now, now, you two. Let's be like everyone else and save the arguments until after you're married. I just hope I live long enough to announce Mark's marriage. MARK Mother, I'm only thirty-five. JOSEPHINE Don't remind me. MARK By the way, Mother, where do our relatives live in Italy? JOSEPHINE They live in a small town in southern Italy called San Marco in Lamis. MARK Maybe father exaggerated about his family? After all, we're cultured, professional people. They have the same blood. VINCENT Stop smelling the garlic, Mark. We're not Italian any more! Ah...pass the pizza with the olives, anchovies and pepperoni, would you? The wine, too. MARK (condescending smile) My pleasure...Vini. VINCENT The name is Vincent, not Vini! Phone RINGS, Josephine answers. JOSEPHINE Hello. -- What! -- What! It's for you guy. Some hysterical women says you're the father of her baby! Eyes open wide, sheepish expression, Guy walks to the phone. INT. AIRPORT TERMINAL - EVENING Mark follows PASSENGERS through the metal detector and then walks toward the Alitalia airline boarding ramp and then onto the plane. INT. ALITALIA AIRPLANE - CONTINUOUS Mark finds his seat, gets settled. Warning light reads, "FASTEN SEAT BELTS." PASSENGERS fasten their seat belts. Mark studies the MAN next to him dressed in African dashiki and cap, nods, smiles. 0002000007BF00002C067B9,EXT. AIRPORT RUNWAY Plane TAXIS on runway and then TAKES OFF. INT. AIRPLANE IN FLIGHT Mark engaged in conversation with the man next to him. MARK ...So, you've been to Rome before. JAMAL Oh, yes. Several times. What about you? MARK No. This is my first time. Are you going to Rome on business? JAMAL No. I'm on my way home by way of Rome. I was lecturing at the University of Southern California. MARK Really. What was the subject of your lecture? JAMAL Genealogy. I'm a professor of genealogy at Nairobi University, Kenya. My name is Dr. Jamal Kenabi MARK My name is Mark Monaco. (they shake hands) I'm going to Italy on business, and then I'm going to look up my relatives, who I've never seen before. JAMAL Really. I can't tell you how much I enjoy meeting someone who has a thirst for their heritage. MARK The more I think about it, the more I'm looking forward to meeting my relatives. JAMAL Who knows, after your visit, you may want to write a book like "Roots." MARK That's a thought. Of course, I can't call it "Roots." How about if I call it Grapes or even Garlic? JAMAL (smiles politely) Well...I have to admit they're catchy titles. EXT. AIRPLANE IN FLIGHT - NIGHT EXT. THE SMALL TOWN OF SAN MARCO, ITALY - MORNING Panorama of hills, the piazza, the church and the town. Time-worn sign on a beat-up house reads: "Antonio Monaco - Mortician." GOAT grazes on scorched, weed-covered lawn. CHICKENS CLUCK loudly as they SCRAMBLE from a speeding ROOSTER. Church bells RING in the distance. INT. HOUSE - MORNING Tyrannical ANTONIO MONACO, waves his hands as he vents his frustrations to his wife, DOMENICA. His older son, handsome, well-built GIUSEPPE, 24, primps before a mirror, while second son, virtuous, scholarly-looking UMBERTO, 22, straightens a religious painting on the wall. (Although written straight, all Italians will speak English with an Italian accent throughout the script. A few Italian words will be inserted occasionally for effect.) 000200000639000033BF633,ANTONIO It looks like the end, Domenica. Unless somebody dies pretty soon we're gonna lose the funeral business. DOMENICA (looks to the heavens-blesses herself) God will send a miracle. ANTONIO How did I wind up a mortician in a town where no one's died in seven years! Antonio grimaces, stabs his heart with an invisible knife. UMBERTO The "old ones" say it's the wine we drink, and that the grapes are blessed. ANTONIO Bah! That's nothing but superstition. I wished I lived in America. If I did I'd be a millionaire, the way they kill each other over there. Sometimes I feel like shooting someone, just so we can have a funeral. GIUSEPPE (jokingly) You don't have to shoot anyone, Papa. Just think of some way to have "Old Man Sticco" accidentally slip or run off the road while he's jogging along the side the mountain path. DOMENICA Giuseppe! Mario Sticco is my cousin! He's 99 years old. Don't ever say anything like that again! He's a generous, saintly man. Why, only today, he made me sole beneficiary in his will. Antonio's eyes open wide, rubs his chin in thought. EXT. TOP OF A HILL - LATER Antonio and his sons balance a huge, empty wine barrel that teeters on the edge of a hill overlooking a dirt path below. GIUSEPPE Papa! I was only kidding about Mario! ANTONIO Well, I'm not. UMBERTO This is murder, Papa! ANTONIO It's not murder! We're not gonna drop the wine barrel on top of Mario. We're gonna drop it in front of him. UMBERTO But he has high blood pressure. ANTONIO Hey, that's his problem. UMBERTO But how can I become a priest if I help kill someone? 00020000062E000039F2628,ANTONIO (shrugs) It's simple; don't tell anyone. Look, Umberto, when we drop the barrel, he's gonna die of natural causes, like a stroke or a heart attack. Now, how is that murder? GIUSEPPE Give up, Umberto. It's no use. ANTONIO (sees Mario) Quiet. Here he comes. BOTTOM OF THE HILL: Ancient, 99 YEAR OLD MARIO STICCO, wearing hip sunglasses and a bright colored Michael Jordan jogging outfit and Nike basketball shoes, shuffle-jogs very slowly with his dog, CAESAR. PEBBLES SLIDE down the hill. Caesar looks up suspiciously and quickly runs up the hill. TOP OF THE HILL: As Antonio and his sons are about to push the barrel off the hill, Caesar appears. The dog stalks and SNARLS menacingly. The men freeze. Unable to hold the barrel any longer, Antonio and his sons flee back down their side of the hill as the barrel CRASHES down behind them. BOTTOM OF THE HILL: SCREAMS of anguish from Antonio and his sons fill the air from the top of the hill. Mario stops, shakes his hearing aid, shrugs, and then starts jogging as tail-wagging Caesar rejoins him. INT. ROME TERMINAL - DAY Mark and Jamal walk through the terminal with their baggage. They wave good-bye and walk in different directions. TV REPORTER, CARLO VINTO, and CAMERAMAN approach Mark. CARLO VINTO Signore. My name is Carlo Vinto. I host a TV show called First Visit to Rome. Is this your first visit? MARK Yes, it is. CARLO VINTO May I have a few words with you? MARK I guess so. REPORTER What is your name, Signore? MARK Mark Monaco. CARLO VINTO Ah, you're American, but you're Italian, too. No? 0002000007A70000401A7A1,MARK Yes, my parents were born in San Marco in Lamis, in Southern Italy. CARLO VINTO Wonderful. What brought you to Rome? MARK I'm here on business and to see the beauty of Italy. And, I hope to go to San Marco and meet my relatives for the first time. CARLO VINTO Ah, you haven't forgot your Italian roots. I'm sure they'll greet you with open arms. On behalf of the citizens of Rome I want to welcome you and wish you a very pleasant visit. Thank you, Signore. Mark nods to Carlo Vinto and walks toward the exit. INT. HOTEL ROOM - SUNSET Mark unpacks his suitcase. He hears church BELLS and walks out onto his balcony. EXT. BALCONY - SUNSET Mark basks in the view of Rome: the multitude of pigeons in flight, church bells RINGING, the sunset. Hears KNOCK at his door; walks back inside. INT. HOTEL ROOM - CONTINUOUS Mark OPENS the door. Meek, little man stands at the door. DOMINIC PERKY Excuse me. Do you speak English? MARK Why, yes. I'm American. DOMINIC Great! My name is Dominic Perky. I'm in the room next door. Can I use your phone, mine won't work? MARK Sure, come on in. Mark points to phone. Dominic walks to the phone and DIALS. Mark takes his shaving kit into the bathroom and pulls the door behind him. However, the door remains open a crack. INT. BATHROOM As he unpacks his shaving kit, Mark hears a SCUFFLE and the meek, little man SHOUTING. Mark peeks out through the crack in the door and sees TWO GANGSTER-TYPES manhandling Dominic. DOMINIC What are you men doing? Let me go! Let me go! Help! Help! GANGSTER 1 Don't worry, Signore Monaco, we're not gonna harm you. We're just gonna keep you incommunicado for a while. The two men put duct tape over Dominic's mouth and drag him out the door. After a few seconds, Mark cautiously walks out of the bathroom to the front door and locks it. He quickly re-packs his suitcase. When he finishes, he peeks out into the hallway, sees no one and hurries out the door. 000200000656000047BB650,EXT. HOTEL Mark rushes from the hotel with his suitcase. He looks for a cab, but can't find one. He then hurries down the street and into a phone booth. INT. PHONE BOOTH Mark fumbles trying to find the right change. DROPS coins, picks them up, finally INSERTS the coins into slot, DIALS. MARK Hello. Nino? Two men just tried to kidnap me! Instead, they kidnapped a man who had the room next to me. NINO This is terrible! Where are you calling from? MARK (looks at street sign) I'm at the corner of Via Vento and Columbus, up the street from the hotel. NINO Stay right there. I'm on my way. Mark exits the phone booth and sits on a bus bench next to a stoplight waiting for Nino. To his amazement, the gangster's car pulls up in front of him with Dominic, mouth duct taped, in the back seat. As the gangsters wait for the traffic light to change, Dominic looks at Mark with bulging eyes for help. Mark is helpless. The driver casually glances over at Mark then back at the signal. Signal changes and the car DRIVES away. Mark writes down the license number and then paces. Nino's limo arrives, SCREECHES to a stop. CHAUFFEUR gets out, opens the door for Mark. Mark hurries in, limo SCREECHES away. INT. LIMO - CONTINUOUS NINO I didn't think these men would resort to this. MARK What men? Resort to what? You know something about this? NINO I think it's the men who wanted to launder their dirty money through my bank. It appears they don't want you to loan me the money. MARK But how did they know I was going to loan you the money or where I was staying? You're the only one who knew that. NINO 00020000067B00004E0B675,Maybe someone tapped your phone. MARK Or yours. Anyhow, I got their license number. The kidnapped man's name is Dominic Perky. Let's go to the police station and report this right now. NINO Ah...tell you what. Under the circumstances, I think we best transact our business now, and you immediately return to the United States on the next plane. I'm only thinking of your safety. After, I'll go to the police and report the kidnapping. MARK I didn't come all the way to Italy just to go back! -- Wait! I have an idea. I'll go visit my relatives in San Marco. No one will look for me there. Meanwhile, maybe you can find out what's going on. NINO If that's what you want. You can catch a plane to Foggia. It's the closest city to San Marco. Then take a cab there. I don't think we should communicate directly by phone or e-mail. I know a banker in San Marco. I'll have him contact you and he can contact me through someone in Rome. It might be wise to remain totally incognito there. They may even have your family's phone tapped back in the United States, so I wouldn't contact anyone there. Who knows what these men might do. Maybe you shouldn't even tell your relatives in San Marco that you're a banker. MARK You're right. I wouldn't want them involved in this. NINO (to chauffeur) To the airport, Nunzio. Nunzio nods. Mark opens his briefcase, Mark and Nino look over documents, transact business. EXT. AIRPORT - CONTINUOUS Limo arrives at the airport terminal. Mark and Nino exit limo and walk to the main entrance. MARK Now go to the police and give them the license number. The man they kidnapped could be in great danger. 00020000062800005480622,NINO I'll take care of it. Do you want me to go inside the airport with you? MARK No. I think I can handle it. Mark takes out his cell phone and gives it to Nino. MARK (CONT'D) Destroy this will you? I don't know if anyone can trace me through this, but why take a chance. NINO I'll take care of it. Listen. I want you to stay at the Hotel Leonardo da Vinci in San Marco. My friend will contact you there. It's the best hotel in town. I stayed there a few times. Ciao, my friend. And thanks again for the loan. Men shake hands, Mark enters terminal. Nino watches Mark leave, SIGHS in relief, hurries to limo, limo SCREECHES away. INT. LIMO - CONTINUOUS Nunzio smoking a cigarette. Nino pulls a cigar from his pocket, bites off the tip and puts the cigar into his mouth. He holds the piece of paper with the license number on it in one hand, lights a match, puts it to the paper with the license number on it and then lights his cigar from the burning paper. He takes a puff, and then squashes the burnt paper into the ash tray. NINO I wonder what Mark would have done if he knew the man who owns the bank who wanted to loan me the dirty money and tried to kidnap him is undoubt-edly my dear cousin, Carmine Bellanazzo. NUNZIO You might not have got the loan, Uncle Nino. NINO That's exactly why I didn't tell him. However, I can't call the police on Cousin Carmine, even if he is a crook. Why, the family would disown me. Besides, who knows how long it will take for Carmine to realize he's kidnapped the wrong man. By then, my loan will have cleared. 00020000069F00005AA2699,NUNZIO You don't think Uncle Carmine will hurt the man they kidnapped when they find out he's not Mark Monaco? NINO No. Carmine is not the violent type. The limo SPEEDS away. Nino puffs contently on his cigar. EXT. AIRPORT - CITY OF FOGGIA - NIGHT Airplane LANDS. SIGN reads WELCOME TO FOGGIA. Mark exits terminal. CAB DRIVER OPENS the door to his cab. Mark enters. The cab DRIVES off, driver SINGS popular Italian song. INT. TAXI CAB - CONTINUOUS Taxi passes over a dilapidated bridge. Mark bounces around in the back seat. MARK It feels like this bridge is ready to collapse. TAXI DRIVER It better not. It's the only way in or out of San Marco. MARK You mean if the collapses, I'd be stuck in town? TAXI DRIVER That's right. MARK Why doesn't someone fix it? TAXI DRIVER The crusaders fixed it in the 13th century on their way to the Holy Land. Maybe they'll fix it when they come back. What do you think? Driver turns, looks at Mark with a straight face, then LAUGHS. Mark smiles as he continues to bounce in the back seat. EXT. SAN MARCO - MIDNIGHT Taxi enters town, stops in front of Hotel Leonardo da Vinci. CAB DRIVER Here we are, signore. Mark gets out of cab, pays driver, takes his luggage, walks into lobby of hotel. INT. HOTEL LOBBY - CONTINUOUS MUSIC PLAYS from lounge off lobby. People LAUGHING, glasses CLINKING. Mark carries his bags to the front desk. CLERK Good evening, Signore. Would you sign the register, please? As Mark signs the register, two sexy, young girls - LENA and LUNA PAZZERELLO - sashay into the hotel snapping their fingers and gyrating to the music coming from the lounge. They stop when they see and hear the desk clerk talking to Mark. 0002000006500000613B64A,MARK Can you wake me at nine o'clock in the morning? LERK Si, Signore Monaco. I see by the register that you're an American. Is this your first visit? MARK Yes, it is. CLERK Will you be staying long? MARK A week, maybe longer. CLERK Have a pleasant visit, Signore Monaco. Here's your key. Room 231. The sisters watch Mark as he walks from the desk. LENA He looks like he has lots of money, Luna. Not only that, he's very handsome. LUNA He's gotta nice buns, too. Palms up, Luna moves her hands up and down mimicking grabbing Mark's fanny. The girls GIGGLE. INT. LOUNGE The sisters strut into the lounge snapping their fingers to the MUSIC. MEN slyly nod at the girls with an expression of lust. The girls sit at the bar and the BARTENDER automat-ically puts drinks in front of them. LENA I heard a rumor today that they may close the vineyard? LUNA Me, too. I don't know what we'll do if they do. I don't know how to do anything else but pick grapes. LENA We may have to find some rich man to marry one of us. LUNA How? All the rich men in San Marco are married, old or ugly, and besides, want nothing to do with us. The girls sit in contemplation. After a bit, Mark enters the lounge and, by chance, stands at the bar next to the sisters. BARTENDER What would you like, Signore? MARK Anisette, please. The Bartender nods and walks away. The girls smile with overly sexy expressions at Mark. LENA Hi. My name is Lena Pazzerello, and this is my sister, Luna. MARK Hi. My name is Marco Monaco. LUNA Glad to know you, Marco. We happened to overhear you say that this is your first visit to Italy. 00020000064C00006785646,MARK Yes, it is. LENA Well, if there's anything we can do to make your visit more enjoyable...you know... Lena puffs out her breasts. Mark smiles politely. Bartender returns with the anisette. Mark sips his drink. The girls continue GIGGLING with their overly sexy expressions. MARK It was nice meeting you girls, but I have to get to sleep. Good night. Mark downs his drink, smiles and leaves. LENA Luna...I'll make you a bet. I'll bet you my gold rosary, you know, the one that was blessed by the bishop, against your gold earrings of Saint Giuseppina, that I can sleep with Mark more times than you. LUNA Lena! That's sacrilegious! (slow smile) It's a bet! This is war, Lena! Girls GIGGLE childishly. INT. HOTEL HALLWAY - CONTINUOUS As Mark unlocks his door, he sees a handsome, YOUNG MAN, with long hair and a pretty YOUNG WOMAN leave the room next to his. The young couple GIGGLE, embrace, kiss passionately and are too preoccupied to notice Mark. INT. MARK'S HOTEL ROOM - LATER Mark gets into bed. KNOCK at the door. Bewildered, Mark gets up and opens the door. Lena Pazzerello, holding handkerchief over one eye, wiggles past him in a state of feigned anguish. LENA Please, help me, Mark. I have something in my eye. Lena sits on the bed. Mark shakes his head, shrugs, walks to Lena, looks into her eye. Lena pulls him on the bed, rolls over on top of him and kisses him passionately. MARK Lena, what are you doing? We hardly know each other. LENA What's there to know? I'm Lena, you're Mark. I'm Italian, you're Italian. Let's do it. You don't wanna hurt my feelings, do you? 00020000063E00006DCB638,(feigned sobbing) MARK Well, no. I certainly wouldn't want to do that, but...but.... INT. LOUNGE - CONTINUOUS Luna looks at her watch, takes her handbag and leaves. INT. MARK'S HOTEL ROOM - CONTINUOUS Mark sits on side of his bed, disheveled and exhausted as Lena finishes dressing. LENA When do you want me to come back? In an hour, tomorrow morning, tomorrow afternoon. I want those earrings! MARK What earrings? Lena sashays out door. Exhausted, Mark falls back on his bed and stares at the ceiling. A KNOCK at the door. Mark staggers to door, peeks out. Luna Pazzerello, holding a handkerchief over one eye, wiggles in past him and sits on the bed. LUNA (feigned anguish) Please, help me, Marco. I have something in my eye. Mark looks to the heavens for help, slowly closes the door. INT. HOTEL ROOM - NEXT MORNING Mark ready to go out, hears KNOCK on the door. Peeks out apprehensively. Sees professional looking MAN, opens door. MR.BERTELLI Buon Giorno, Signore Monaco. My name is Angelo Bertelli. Mr. Lombardo in Rome told me to contact you. Here is my card. (gives Mark a card) You can come by the bank, I'm in the town plaza, or call me any time, if you wish to contact Mr. Lombardo. MARK Thank you very much, Mr. Bertelli. Mr. Bertelli nods and leaves. EXT. STREET - MORNING - CONTINUOUS Mark walks around the town looking in shops, at the people, the church. He sees a sign, "Pagliacci's Car Rentals." As he walks toward the office, Mr. Pagliacci walks out smiling and starts SINGING opera. Mr. Pagliacci puts his arm around Mark and walks him inside the office. 00020000066B00007403665,EXT. COUNTRYSIDE - CONTINUOUS Mark DRIVES through the countryside, past a vineyard and then to the top of a hill. As he views the beauty, he notices three men on a distant hill struggling to hold a huge boulder on top of the hill. Then he sees an old man shuffling slowly below them with his dog. He watches as the dog scampers up the hill and SNARLS and BARKS at the men. The men panic and run as the boulder CRASHES down the hill behind them. Mark shakes his head, gets in his car and DRIVES away. INT. CAR - CONTINUOUS Mark drives down a bumpy dirt road looking at addresses on houses. He stops and looks with dismay at the run-down Monaco house with a goat grazing on the scrawny front lawn. EXT. CAR - CONTINUOUS Mark gets out of his car, walks to the door, takes a deep BREATH and KNOCKS. Antonio answers the door. MARK Excuse me, Signore. Are you Antonio Monaco? ANTONIO Don't you bill collectors ever give up? Get lost! Antonio SLAMS the door in Mark's face. Mark bewildered. After a few seconds, he KNOCKS again, Antonio opens the door. MARK I'm not a bill collector. I'm your nephew, Marco. The son of your brother, Luca. My mother is Josephine La Cipolla. I'm from America. Antonio walks back and forth eye-balling Mark up and down. ANTONIO Well...you do look a little bit like him. So...what'a ya want? Mark taken aback, doesn't know what to say. DOMENICA (O.S.) Who is it, Antonio? ANTONIO He say he's my brother Luca's son from America. His name is Marco. DOMENICA (O.S.) What? Well, don't just stand there. Invite him in. ANTONIO Well, as long as you're here, you might as well have one glass of wine. 00020000062000007A6861A,MARK Gee, thanks. Dominica comes to the door, takes Mark's arm and leads him into the house. INT. MONACO LIVING ROOM DOMENICA Welcome, Marco. What a surprise. Giuseppe! Umberto! Come meet your cousin from America. The brothers enter the room and shake hands with Mark. DOMENICA (CONT'D) Marco, this is my son, Giuseppe. MARK How do you do, Giuseppe? GIUSEPPE It's nice to meet you. DOMENICA And this is my son, Umberto. UMBERTO Pleasure to meet you, Marco. I often wondered if we'd ever meet any of our relatives from America. MARK Well, here I am. DOMENICA Let's all sit at the table and have a glass of wine. All sit at table, Domenica pours the wine. DOMENICA (CONT'D) When did you arrive in town, Marco? MARK Last night. I got up early and drove through the town, out to the vineyard and through the hills. I wanted to see San Marco. GIUSEPPE Did you see anything interesting? MARK Not exactly interesting, more like strange. I was standing on a hill and saw a very old man jogging with his dog and three.... Antonio, sons look at each other in sudden alarm. DOMENICA (interrupts) That must have been my cousin, Mario, and his dog, Caesar. Mario is 99 years old. MARK That's amazing. (studies Antonio/sons) You know, this may sound funny, but you look just like the men I saw.... ANTONIO (jumps up-interrupts) Well, it's time we get to the festival. We don't wanna miss Bruno Zampezzi sing. DOMENICA Marco, we're going to the Saint Mark's fund raiser fiesta in town. He's our patron saint. You must come with us and meet some of your relatives? 0002000006220000808261C,MARK I'd like that. I'm dying to see what they're like. Can I drive you all there? DOMENICA Wonderful. We don't have a car. Domenica takes Mark's arm. Antonio and his sons look at Mark nervously as they follow him to his car. EXT. TOWN PIAZZA - DAY PEOPLE crowd the town piazza. A BAND PLAYS on stage. Domenica introduces Mark to relatives, who smile, shake his hand and kiss him on the cheek. Antonio, Umberto and Giuseppe disappear into the crowd. Smiling, energetic, ATTRACTIVE GIRL approaches Domenica. GINA Hello, mama. Girl kisses Domenica on the cheek. DOMENICA Gina, I want you to meet Antonio's nephew, Marco, from America. Marco, this is our daughter, Gina. GINA It's nice to meet you, Marco. MARK Nice to meet you, too, Gina. DOMENICA Gina, is actually my niece. Her parents died in an accident when she was very young and Antonio and I adopted her. Gina, do me a favor. Introduce Mark to more of the relatives, will you? I want to see Signora Vecchio's embroidering she has on display. GINA I'd be happy to. Domenica leaves. Gina takes Mark by the arm and leads him through the crowd and introduces him to RELATIVES, who shake his hand or kiss him on the cheek. Gina introduces Mark to an ELDERLY COUPLE. GINA (CONT'D) Mark, this is Mr. and Mrs. Cristoforo. Mr. Cristoforo would be...I believe, your third cousin. MARK How do you do? MR. CRISTOFORO It's a pleasure to meet you, Marco. You know, you look just like your great-grandpapa when he was young. MARK Really. Can you tell me a little about him? What did he do? MR. CRISTOFORO 0002000006150000869E60F,Oh...he was an...an art collector. MRS. CRISTOFORO Yes. In fact, he was one of Italy's most famous art collectors. Mark smiles, Gina begins to lead Mark away. MARK Well, it was nice to meet you. MR. CRISTOFORO Same here, Marco. MRS. CRISTOFORO Stop by the house anytime. MARK Thank you. Gina walks Mark away. MRS. CRISTOFORO Too bad you had to lie to him. MR. CRISTOFORO I didn't lie to him! His great-grandpapa was an art collector. I just didn't tell Marco that his great-grandpapa was the most famous art thief Italy has ever known. MRS. CRISTOFORO You're right. Why disillusion him. He seems like such a nice boy. The Cristoforo nod and smile at each other. Gina introduces Mark to another ELDERLY COUPLE. GINA Marco, this is Mr. and Mrs. Fulgaro, your father's godparents. MARK It's a pleasure to meet you. MRS. FULGARO Welcome, Marco. You know, you look just like your late granduncle, Luigi. MR. FULGARO Yes, a very distinguished man. MARK Really. What was his profession? MRS. FULGARO Well...ah...he was a very well-known business man in Naples. Mark smiles proudly, Gina leads him away. MRS. FULGARO (CONT'D) I felt guilty lying to him. MR. FULGARO You didn't lie. You just forgot to tell him that Luigi's business was fraud, corruption, extortion and racketeering. MRS. FULGARO I guess it just slipped my mind. The Fulgaros SNICKER. EXT. OLD PEOPLE SECTION - CONTINUOUS Antonio swaggers over to Mario Sticco sitting with a small group of OLD PEOPLE. They grimace knowing full-well Antonio would really like to see them in a coffin. 00020000063F00008CAD639,ANTONIO (devious smile) Ah, good day, everyone. I hope you're all feeling good. No one responds. Still smiling, Antonio bends over, pantomimes shoveling dirt as if digging a grave. Old people GASP, wide-eyed. Finally, Antonio throws invisible shovel away, struts up and down in front of them. Addresses a very old lady. ANTONIO (CONT'D) Hello, Signora Cipriani. I hear you haven't had a stroke in over a year. Would you like to dance a fast tarantella with me? Antonio does funny dance step, spins around, almost falls. Signora Cipriani sits stone-faced, gives Antonio unflattering Italian arm gesture. Antonio shrugs, smiles, looks at Mario. ANTONIO (CONT'D) Ah, my friend, Mario. Would you like me to get one of those young, big-breasted beauties from the city to come jump in your bed tonight? Mario GASPS, clasps his hand over his heart. Antonio watches hopefully. Caesar appears from under Mario's chair, GROWLS and stalks Antonio. Antonio backs away slowly and then turns and runs. Caesar BARKS in pursuit, old people smile. Mark and Gina walking as the band PLAYS on stage. People dance, and children playfully chase each other. MARK ...I needed a vacation. So I thought I'd look up the family while I was here, and find out a little about my ancestors. GINA You should really talk to Antonio's brother, Father Michael. He knows everything about the family. MARK Antonio's brother is a priest? Is he here? I'd like to meet him? GINA (looks around) I don't see him any where....So, did you travel to Italy alone? Did you bring your wife? MARK I'm not married. GINA 000200000684000092E667E,Me neither, but I'm engaged to Bruno Zampezzi. He's the singer on stage. Mark looks at the stage, does a double-take. He recognizes Bruno as the young man he saw with a girl leaving the hotel room next to his when he arrived in town the night before. GINA (CONT'D) Is there something wrong, Marco? MARK No, no. I was just admiring how good he sings. GINA I think so, too. He's been negotiating a recording contract in Rome. He'll be famous someday. MARK Really. Mark watches charismatic Bruno as he SINGS, dances around the stage, runs his fingers through his shoulder length hair, smiles and tantalizes a group of adoring young girls. Mark and Gina walk to the front of the stage, sit and watch. Antonio, Umberto and Giuseppe sitting off by themselves. ANTONIO ...and don't tell Marco anything about the family. Let him think we're all saints. GIUSEPPE Why? ANTONIO He looks wealthy. Maybe he might loan his poor, near-bankrupt uncle some money. UMBERTO Why would he loan you money? ANTONIO I'll tell him how I saved his Papa's life when we were boys. GIUSEPPE I didn't know that. How did you save his father's life? ANTONIO I haven't figured that out yet, but I will. Giuseppe, Umberto look at Antonio in awe. Band PLAYS fast folk song on stage, Bruno SINGS. Crowd CLAPS their hands. Bruno finishes SINGING. Walks to the backdrop of the bandstand while the band continues to PLAY. Pretty girl who was with Bruno the night before, peeks from behind backdrop, motions Bruno to join her behind the backdrop. Bruno watches Mark and Gina sitting in the audience and then moves slyly behind the backdrop. Bruno and the girl embrace, kiss passionately. 00020000086900009964863,INT. SECLUDED HOUSE - SICILY - NIGHT Gangsters, LUPINI and CHI-CHI, play cards with Dominic Perky, the man they assume is Mark. LUPINI (puts cards down-smirks) Two pair. DOMINIC Sorry, I have a full house. Three aces and a pair of jacks. Apprehensive, Dominic takes the pot. Gangsters frown. CHI-CHI You're a very good card player, for a banker, Mr. Monaco. DOMINIC For the last time. I'm not a banker, and my name is not Mark Monaco! My name is Dominic Perky. I'm a canary trainer. (WHISTLES like a canary) When are you going to let me go? I miss my canaries. LUPINI (philosophically) Enjoy yourself, Mr. Monaco. Look at it this way. You have a beautiful suite. You eat nothing but the best food, and...from the balcony you have a magnificent view of the most beautiful cemetery in all of Sicily. Lupini and Chi-Chi LAUGH; Dominic looks to the heavens and blesses himself. KNOCK at the door. Lupini pulls out his gun and opens the door. Sexy, well-endowed WOMAN slinks in. TINA I'm Tina Lucia. I was sent here by our host to entertain Mark Monaco. (to Dominic) Are you Mark Monaco? CHI-CHI No. His name is Dominic Perky. He's a canary trainer. (WHISTLES like a canary) Lupini and Chi-Chi LAUGH. DOMINIC Dominic Perky? Don't be ridiculous! I keep telling you, my name is Mark Monaco! I'm a banker! Tina smiles seductively, takes Dominic's hand and leads him toward the bedroom. Dominic smirks at Lupini and Chi-Chi as Tina pulls him into the bedroom. INT. HOTEL HALLWAY - NEXT MORNING Apprehensive, Mark opens his door, peeks down the hallway to make sure the Pazzerello sisters aren't around. About to step out, he sees Bruno with a different GIRL leaving a room down the hall. Mark watches as they embrace, kiss, leave. Concerned, Mark follows them cautiously down the stairs and into the lobby. Girl leaves in one direction, Bruno the other. Mark then sees Lena Pazzerello walking into the hotel and hides in a telephone booth. He watches as she walks up the stairs. He leaves the booth and then sees Luna coming out of the bar also on her way up to his room. He hides behind a pillar and then hurries from the hotel. 0002000006340000A1C762E,INT. KITCHEN - ANTONIO'S HOUSE - LATER Mark, Gina, Antonio, and Domenica drinking coffee. ANTONIO So, tell me, Marco, what kind of business are you in? (SLURP) MARK I'm a...a...bank teller. ANTONIO A bank teller! You look more like a bank president to me. (SLURP) MARK Thank you, Antonio. Unfortunately, I'm just a poor, simple bank teller. Why...I don't even own a cell phone. ANTONIO I thought all Americans had cell phones? Actually, you have the look of someone with money. MARK Not me. My mother...now that's another story. ANTONIO (eyebrows raise) Would she loan you money for the business opportunity of a life time? MARK What kind of business? ANTONIO How would you like buy into my funeral business? DOMENICA Antonio! You haven't buried anyone in seven years! ANTONIO (glares at Domenica) Hey. The bubonic plague may strike tomorrow. In that case, Marco would be rich. GINA Or dead. DOMENICA The plague hasn't been around since the fourteenth century. ANTONIO All the more reason for Marco to invest. It's 600 years overdue. MARK (smiles politely) Ah...I'll think about it, Antonio. GINA We have to go now, Antonio. Marco wants to see the vineyard. After, I'm taking him to meet Father Michael. ANTONIO Father Michael. For what? GINA Mark is anxious to find out more about our ancestors. ANTONIO What's there to know? We come from one of the most noble families in Italy. Ask anyone in the family. Antonio pulls Mark aside, whispers. ANTONIO (CONT'D) My brother means well, but he tends to exaggerate. Antonio winks, Mark winks back with a patronizing smile. 0002000006080000A7F5602,EXT. VINEYARD ENTRANCE - DAY Mark's car DRIVES past sign "WELCOME TO SAN MARCO VINEYARD" INT. VINEYARD WAREHOUSE - DAY Gina shows Mark through the pressing plant. A few MEN playfully try to embrace, kiss Gina, who smiles, pushes them away. She SLAPS one of the men on the fanny, all LAUGH at Italian horseplay. Mark eyes Gina with interest. EXT. VINEYARD - LATER Mark and Gina stroll through the vineyard eating grapes. As they walk past the WORKERS, Mark sees Lena and Luna picking grapes. The sisters see Mark, smile and wave. LENA (SHOUT) Hey, Marco! How are you today? LUNA (SHOUT) We'll see you at the club tonight! Mark forces a smile and walks faster. GINA You know the Pazzerello sisters? MARK They introduced themselves to me at the hotel last night. GINA I see. By the way, Marco, I'd like to apologize for Antonio. All he thinks about is money since his funeral business died. MARK I like the way you put that. Is there something wrong with Antonio's funeral business? I mean, people die all the time, right? GINA Well, that's just it. No one's died here for seven years. MARK Really. GINA The old ones think it's the wine they drink. They say the grapes are blessed. MARK Blessed? GINA Let me explain. Seven years ago, there was a big earthquake here. It cause Water to come up from the ground and it still does on occasion. Since then no one's died. MARK In other words, the people think the water that irrigates the grapes has some kind of mystical power? GINA Yes. MARK Couldn't that just be a coincidence? 0002000006940000ADF768E,GINA Sure, but the old people don't think so. They drink wine every night. MARK Wouldn't old people from all over Italy come here, if that was true? GINA People here don't make a big deal out of it. It's, how do you Americans say, hush hush. MARK (looks over the vineyard) I know it sounds funny, but it seems like I've seen all this in my dreams. GINA Maybe you have. Your family once owned the vineyard. MARK Really. How did we lose it? GINA I'm not sure, but it happened after World War II. MARK Who owns it now? GINA Some group called the Floral Corporation. I really should get to work. Mark looks over the vineyard in deep thought as they walk back to the car. EXT. CHURCH-SCHOOL PLAYGROUND - LATER Mark, Gina return to town, get out of car. SHOUTS of CHILDREN playing. They walk toward the school next to the church. Kids surround Gina, smile happily and hug her. MARK What do you do at the school? GINA I'm an administrative assistant. I keep Father Michael's office in order, handle his correspondence and anything else he needs. I also help the nuns with the students. MARK I see. School bell RINGS. Children hurry inside school. GINA I have to go now. Go to the church. Father Michael is waiting. Gina smiles, leaves. Mark watches. We see by Mark's expression that he finds Gina interesting. INT. CHURCH - CONTINUOUS Mark enters the church. He looks in surprise at a very tall, smiling, rugged-looking priest walking toward him. The priest shakes Mark's hand vigorously. FATHER MICHAEL Sorry I missed you at the church fund raiser, nephew. I was in Foggia shopping for a new statue of St. Mark our patron saint. I hope you're enjoying your visit. 00020000062D0000B485627,MARK I am. Gina's been showing me around. (studies priest) I must confess, Father Michael, I'm surprised at your tall stature, considering Antonio is so short. FATHER MICHAEL Well, not many people realize it, but God has a sense of humor, too. Mark LAUGHS at the priest's down-to-earth's manner. FATHER MICHAEL (CONT'D) So, you want to know about your relatives. Why? MARK To be honest, my mother said I came from a Jekyll, Mr. Hyde family. Is that true? FATHER MICHAEL You've met Antonio. Need I say more? However, we do have some very noble ancestors. MARK I'm happy to hear that. FATHER MICHAEL Before we talk, I want you to look around the church. Mark peruses the altar, the statues, the paintings. FATHER MICHAEL (CONT'D) You're now looking at the same things your forefathers looked at for hundreds of years. Mark runs his hand over time-worn altar rail, reflects. MARK I can almost feel their presence. FATHER MICHAEL I do all the time. Come, follow me, I'll show you to the library. There are many books related to our family. MARK Wonderful. Father Michael leads Mark toward the library. FATHER MICHAEL So, who would you like to read about, first? Salvatore Monaco, 1495-1580, who almost became a pope, or Pietro Monaco, 1215-1300, who sold hashish to the crusaders? Mark looks in surprise. Father Michael smiles. EXT. MONACO BACKYARD - DAY Tough looking MAN roughing up terrified Antonio. BERNARDO I've waited long enough. I want the money you owe me, now! ANTONIO I'll have it soon, Bernardo. I promise. My wife is going to inherit a lot money soon. 00020000062E0000BAAC628,BERNARDO I don't care how you get the money, just get it! Bernardo runs his finger across his throat, turns and leaves, Antonio SIGHS in relief. EXT. TOP OF A HILL - CONTINUOUS Antonio and his sons on top of a hill waiting for Mario to jog by below. Men stand next to a tied up bag of fireworks, with rockets sticking out connected to long fuse. UMBERTO Papa, don't do this. Antonio grabs Umberto. ANTONIO Just do what I tell you! GIUSEPPE It's no use, Umberto. Let's just do it. Umberto breaks free from Antonio. UMBERTO No more, Papa. I'm leaving. Come with me, Giuseppe. ANTONIO Don't you dare go! I'm your Papa; I command you to obey. Umberto turns, walks away. Soul-searching Giuseppe watches Umberto leave, turns, studies Antonio. GIUSEPPE Umberto's right, Papa. No more. Giuseppe walks after Umberto. Antonio furious. Alone, Antonio paces impatiently waiting for Mario. Mario finally appears shuffle-jogging with Caesar. Caesar stops, senses something, looks up at the top of the hill. Antonio smiles deviously as he lights the fuse to the fireworks, and then drops the bag off the hill. He closes his eyes and holds his ears and waits. Nothing happens. Antonio opens his eyes and sees Caesar a few feet from him dragging the bag of fireworks in his mouth with the fuse burnt down short. He looks in panic as Caesar puts the bag down next to Antonio and then runs back down the hill. Antonio starts to run. Rockets EXPLODE, WHISTLE, SCREECH, BURST into air, ECHO throughout hills. Antonio SCREAMS, CURSES, falls, crawls, ducks from EXPLODING fireworks. 00020000065B0000C0D4655,ANTONIO That son-of-a-bitch dog must be psychic. Mario, oblivious to the fireworks EXPLODING on top of the hill, jogs contently. Tail-wagging Caesar rejoins his master and they continue undaunted on their daily ritual. EXT. CHURCH - LATE AFTERNOON Mark and Father Michael coming out of the church. MARK Thanks. I'll see you tomorrow. I want to read more about the family. FATHER MICHAEL You're welcome. Come any time, any hour you wish. The church is always open, and come even if I'm not here. They shake hands, Mark leaves. EXT. TOWN PIAZZA - NIGHT Mark, Giuseppe and Umberto stroll. Giuseppe smiles at the pretty GIRLS who smile back eager for his attention. MARK So, Gina is going to marry Bruno. UMBERTO I wish she'd marry someone else. GIUSEPPE Bruno's a pig. He's nothing but a womanizer. Everyone knows it. UMBERTO Listen who's talking. GIUSEPPE Hey, I'm just searching to find the right girl to marry. UMBERTO You've been searching since you were 14 years old. Giuseppe smiles and shrugs. MARK Does Gina know about Bruno? GIUSEPPE She doesn't want to hear about it. UMBERTO She knows. Gina just wants to get married and have children. MARK Even if she knows what he's like? GIUSEPPE It's an Italian thing. Oops, speak of the devil. Gina and Bruno stroll nearby. Gina sees Mark and her brothers, waves and walks over with Bruno. GINA Hello, everyone. GIUSEPPE/UMBERTO Hi, Gina. Hi, Bruno. GINA Bruno, this is my cousin, Marco, from America. Bruno smiles, Mark forces a smile as they shake hands. BRUNO Happy to meet you, Marco. MARK Nice meeting you, too, Bruno. GINA Why don't you all walk with us? 0002000006770000C729671,UMBERTO Sorry, I have to get home and read some books Father Michael gave me. GIUSEPPE ...and I have to meet a friend. Giuseppe, Umberto leave. Mark, Gina, Bruno continue walking. MARK Gina tells me you may be signing a record contract soon. BRUNO Yes. As soon as we can come to an agreement on money. In fact, I've been driving to Rome almost every weekend to meet with them. So tell me, Marco, where are you staying? MARK At the Hotel Leonardo da Vinci. Bruno looks in surprise, forces a smile. As they continue walking, Bruno notices a girl subtly motioning for him to join her. Mark sees the girl, Gina doesn't. BRUNO Gina, I just remembered. I have to meet with my image consultant in the morning. We're going to discuss my hair being styled in dreadlocks. I'd better get home and get to sleep. Marco will walk with you. Bruno hurries away before Gina can say anything. Gina and Mark walk in silence. MARK How would you like me to buy you a glass of wine? GINA Oh, okay. How would you like to hear about one of your very distant aunts who was a friend of Lucrezia Borgia? MARK Only if you don't put any poison in my wine. Both LAUGH as they walk away. INT. RESTAURANT - CONTINUOUS Gina and Mark dancing. GINA You're a lot of fun, Marco. I wish Bruno could dance like you. MARK I wish I could sing like Bruno. Song ends, they return to their table, sip wine. Bruno and girl enter arm-in-arm. Bruno looks around cautiously, sees Mark, Gina. Mark sees Bruno and the girl. Gina notices Mark looking at door, turns around and sees Bruno and the girl hurrying out the front door. Gina doesn't give any indication that she saw Bruno. 0002000006500000CD9A64A,GINA I think I could use another glass of wine. Mark nods, pours the wine. Music PLAYS. Gina pulls Mark onto the dance floor and loses herself in dancing. INT. LIVING ROOM MONACO HOUSE - CONTINUOUS Domenica sewing, Antonio, covered with bandages (from fireworks fiasco with Mario) paces nervously. DOMENICA Your brother Michael called. ANTONIO What did the next wanna-be Pope want? DOMENICA He said his records show that there should now be enough money in the bank for him to buy the statue of St. Mark. He thanked me for being treasurer of the committee. And I want to thank you for putting the money in the bank for me every week. By the way, how much church money is in the bank? Antonio looks sheepishly at Domenica as he paces in silence. DOMENICA (CONT'D) Antonio, didn't you hear me? ANTONIO Ah...ah.... There isn't any money in the bank. We've been living on it. I thought someone in this lousy town would die. I figured I'd replace the money we've been living on with the money I'd make from the funerals. DOMENICA Oh, Antonio. How much do we owe? ANTONIO One-hundred-four thousand, six- hundred-ten lire and ten soldi. That includes the money from the church, the money I borrowed on our life insurance, and a loan from a shylock. DOMENICA Why that's over eight thousand dollars in American money. ANTONIO Thanks for telling me. Now I won't have to call my stockbroker tomorrow to find out the exchange rate between the United States and Italy. DOMENICA You should go see your brother right now and confess everything. Beg his forgiveness and ask God for guidance. Antonio stops pacing. 0002000006180000D3E4612,ANTONIO Confess! That's it! That's it! Jubilant, Antonio hurries out the door. INT. CHURCH CONFESSIONAL - CONTINUOUS Father Michael reading a magazine. Hears someone enter, slides wooden panel open and makes the sign of the cross. ANTONIO Bless me father for I have sinned. FATHER MICHAEL Is...is that you, Antonio? ANTONIO Domenica suggested I come. FATHER MICHAEL Did you bring a check for the statue? ANTONIO Ah, before we talk about that, I wanna make my confession. FATHER MICHAEL What? You haven't been to confession in thirty years. ANTONIO Actually, it's been thirty-five. FATHER MICHAEL This is incredible! I wish mother and father were still alive to see this joyous night. I'm proud of you as is the Lord. (Recites Act of Contrition) All right, confess your sins, my brother. ANTONIO Ah...I kicked my goat. FATHER MICHAEL (moans) I knew it was too good to be true. ANTONIO But I did kick my goat! FATHER MICHAEL All right! All right! Five Hail Marys and two Our Fathers! What else? ANTONIO I...I spent all the money for the statue of St. Mark that I was supposed to deposit in the bank for Domenica. FATHER MICHAEL What!? Father Michael jumps out of the confessional, YANKS open Antonio's door, pulls him out, beats him on the head with his magazine. ANTONIO Stop! This is no way for a priest to act. Don't you know, God is watching you? FATHER MICHAEL Who do you think told me to hit you? Suddenly, Father Michael sees wide-eyed OLD PEOPLE sitting in pews waiting to confess their sins. Frightened, they scurry out of the church. 0002000006610000D9F665B,FATHER MICHAEL (CONT'D) Wait, wait. Come back! Furious, Father Michael grabs Antonio by the scruff of the neck and spins him around several times. FATHER MICHAEL (CONT'D) Look what you've done, you heathen. Now the old ones will think I'm going to beat them when they come to confession. Father Michael slowly puts Antonio down, then pushes him back into confessional head first. Antonio CRASHES his head against the wooden paneling in the confessional and GROANS in pain. Father Michael returns to his section of confessional. ANTONIO (rubbing his head) So, what is my penance, my dear, saintly, all-forgiving brother? FATHER MICHAEL One-hundred lashes from a whip with thorns on it. ANTONIO Seems fair enough. I'll have my goat whip me. FATHER MICHAEL I'm losing patience, Antonio. You realize, you'll have to tell the committee you spent the church's money. ANTONIO I'm not telling them anything. FATHER MICHAEL What are you saying? I demand you tell the committee. If you don't, I will. ANTONIO Ah, but you can't. As my priest, you're bound to secrecy. You can't tell them anything. FATHER MICHAEL You can't get away with this. The people will become suspicious when they don't see a new statue of St. Mark in the church. I'll have to tell them something. ANTONIO Not necessarily. I'd like you to think about your reputation. FATHER MICHAEL What does my reputation have to do with you stealing the church's money? ANTONIO Nothing...unless I tell them I gave you half of the money and you spent it on wild women in Naples. FATHER MICHAEL Why, you...you. You'd do that to your own brother? You're a charlatan! 00020000061F0000E051619,ANTONIO I know that. Now, calm down. I have a solution. I suggest you don't tell the townspeople anything about the statue until I get the money back into the bank. I should have enough soon...God willing. Why cause an uproar and disappoint everyone? It would only break their hearts. FATHER MICHAEL Your compassion for the people overwhelms me. ANTONIO And don't worry, I'll make sure my goat whips me hard. FATHER MICHAEL Get out, you, you, you... Antonio leaves the confessional, walks outside. The old people who left the church earlier stand, huddled together, confused. Antonio smiles and pantomimes shoveling dirt as if digging a grave. The old people attack Antonio who runs away with the old ones in pursuit. INT. MARK'S HOTEL ROOM - NIGHT KNOCK at the door. Mark slowly opens the door. Lena Pazzerello smiles. Mark tries to close the door, Lena pushes her way in, sits on the bed, takes off her blouse and smiles. MARK Lena, have mercy. LENA Don't be silly. Mark tries to lift Lena off the bed, she LAUGHS, pulls him on the bed and under the covers. LENA (CONT'D) (PANTING) Have you been sightseeing much in San Marco? MARK (PANTING) Are you kidding? I've been in bed most of the time. What is it with you and your sister? LENA (PANTING MORE) It's a secret. By the way, out of curiosity, who's better in bed, me or my sister? MARK (PANTING MORE) That's a hell of a question. So far, it's been a tie. But at this...this...this very moment... you're...you're definitely winning, Lunaaaa. LENA (PANTING MORE) I'm not Luna. I'm Leeeena! 00020000069C0000E66A696,MARK (SIGHS-rolls on his back) Sorry about that. Lena gets dressed and leaves. Mark lies in bed staring at the ceiling. Door opens, Luna Pazzerello walks in. MARK (CONT'D) God! Don't you guys even knock any more? Mercy, Luna. I'll be dead before I get back to the States. Luna smiles, takes off clothes. Mark hides his head under the pillow. EXT. TOP OF THE HILL - CONTINUOUS Antonio holds a fishing pole in one hand, in the other, a voluptuous, LIFE-SIZE CARDBOARD CUTOUT of big-busted, bikini-clad woman advertising spaghetti. He twists the hook of the fishing line into the top of cutout's head and then gently lowers the cutout off the hill. ANTONIO This is your day, Mario. And this is the angel of mercy who's gonna take you to paradise. BOTTOM OF THE HILL: Cutout dances slowly downward until it dangles a few inches off the ground below. Shortly, Mario appears jogging with Caesar. Mario sees voluptuous, cardboard cutout, squints, tries to jog faster. Antonio moves the fishing pole so that the cutout dances toward the far edge of road, where the road drops downward several feet into a deep canyon. Caesar sees the danger, runs ahead and yanks the cutout free from the fishing line. PEBBLES roll down the hill. Caesar looks up. Caesar sprints up the hill. TOP OF THE HILL: Caesar chases Antonio around the summit. Antonio drops the fishing pole, loses his balance, slips, and rolls down Mario's side of the hill. Caesar runs back down the hill to Mario. BOTTOM OF THE HILL: Mario smiles down at the cutout, picks it up, puts it under his arm and continues jogging. Antonio staggers to feet, waves his fist at Mario and Caesar as they disappear out of sight. 00020000062C0000ED00626,EXT. ANTONIO'S BACK YARD - DAY Bandaged, Antonio paces. Haggard, Mark drives up in his car, gets out and walks slowly toward Antonio. MARK What happened to you, Antonio? You look like you rolled down a hill. ANTONIO I don't wanna talk about it! Besides, you don't look too good yourself. Have you talked to your Mama about my funeral business, yet? MARK I haven't had a chance. ANTONIO Did I tell you about the time I saved your father's life when we were kids. MARK You saved my father's life? ANTONIO Yes. We were swimming and he got the cramps. We were two miles, maybe ten, from shore. Without the slightest thought of my own life, I pulled him to shore. MARK But my father was ten years older than you. That means he was 16 and you were six. ANTONIO Ah...I lifted weight as a kid. (flexes muscles) Unfortunately, it stunted my growth a bit. Mark stupefied. ANTONIO (CONT'D) I don't want you to think you owe me, but can you loan your uncle-who saved your father's life, eight thousand American dollars? MARK I don't have that kind of money, Antonio. And I'm just about maxed out on my credit card. In fact, I was going to ask if you could loan me some money. Antonio grimaces. Gina comes out of the house, approaches. GINA Come, Mark. We have to go. Mark, you look terrible. Don't you get enough sleep? MARK No. It's very noisy at the hotel. ANTONIO Where are you two going? GINA Marco wants to see the cemetery. ANTONIO (whispers) That's a perfect place for that dead beat. MARK Do me a favor, Antonio. Mark reaches in his wallet, pulls out some money. 0002000006470000F326641,MARK (CONT'D) Would you give this money to Domenica. It's only a few dollars, but I want to give it for the statue of St. Mark. I really can't afford it. I...I just won't eat tonight. Gina looks at Mark, hides her smile. Antonio GRUNTS, takes the money. As Mark puts his wallet back in his pocket, a card slips out and floats into the nearby bushes and is not noticed by Mark, Antonio or Gina. Gina intertwines her arm with Mark's. Domenica walks out of the house and looks with concern as she watches Mark and Gina leaving arm-in-arm. She walks to Antonio. DOMENICA You don't think we have a romance going, do you, Antonio? ANTONIO Don't be silly. It's just Gina's way. How could she like a poor bank teller. She's only showing him around because Bruno went to Rome again. DOMENICA Hmmm. I think it's time I get Bruno to set a wedding date. I have to go shopping. I'll see you later. Domenica leaves. Antonio notices the card that fell from Mark's wallet into the bushes, picks it up and reads it. ANTONIO What is this? Mark Monaco-President- Beverly Hills International Bank- Beverly Hills, California. Madonna! Why, that son-of-a-bitch! INT. ANTONIO'S HOUSE - CONTINUOUS Antonio smiles deviously as he DIALS the telephone. ANTONIO Bernardo. I think I have a way to get the money I owe you right away, but I need your help. -- Okay, I'll meet you at the pool hall later. Antonio hangs up and then dials again. ANTONIO (CONT'D) Information? I want the phone number of Josephine La Cipolla Monaco in Beverly Hills, California, United States. Antonio SINGS Italian SONG as he waits. 0002000007030000F9676FD,ANTONIO (CONT'D) Yes, operator. That's it. Antonio writes the number down and DIALS again. INT. JOSEPHINE MONACO'S RESIDENCE USA - NIGHT Josephine and Vincent at home. Phone RINGS, Josephine answers. JOSEPHINE Hello. ANTONIO Hello, Mrs. Monaco. This is Your late husband's brother, Antonio, calling from Italy. I'm sorry to tell you this, but your son, Mark, has been kidnapped and is being held for ransom. JOSEPHINE Oh, my God! Is he all right? Vincent picks up the extension phone and listens. ANTONIO He's fine. In fact, the kidnappers told me he ate a pound of spaghetti and six meatballs last night. Josephine and Vincent look at each other perplexed. JOSEPHINE Have you called the police? ANTONIO The kidnappers told me if I called, they would kill Mark. JOSEPHINE Oh, my God! Well, how much money do they want? ANTONIO A mere trifle. Only eight thousand, six hundred and five dollars and ten cents. JOSEPHINE What's the ten cents for? ANTONIO It's for their phone call. They're poor, simple kidnappers. JOSEPHINE (bewildered) Where should I send the money? ANTONIO Send it to me. I'll deliver it myself just to insure Mark's safe release from these evil men. JOSEPHINE How should I send the money? ANTONIO The usual way. Put it in a shoe box and mail it...First Class, of course. Vincent waves at Josephine. JOSEPHINE Hold on a second, Mr. Monaco. (covers receiver) VINCENT (covers receiver) Tell him it will take a few days to get the money. There's definitely something wrong. JOSEPHINE It will take a few days for me to get the cash, Antonio. ANTONIO Okay. I'll tell the kidnappers. But you'd better hurry before they do something to Mark. And don't call the police. Trust me, I'm an honest man. I went to confession last week. I'll call you back in two days. 00020000064D00010064647,(hangs up) JOSEPHINE I told Mark to stay away from those crazy people! EXT. CEMETERY - DAY Mark and Gina walking through the cemetery. MARK I haven't seen Bruno lately. GINA He went to Rome. In fact, he goes there just about every week now. He said it may take him months to negotiate a contract to his liking. MARK How come you don't go with him, or is that none of my business? GINA He says he'd be too busy and doesn't want me to get bored. I'm sure he gets lonely there all alone. EXT. HIGHWAY - DAY Bruno SPEEDING down the highway in a sports car. Radio BLASTING, beautiful WOMAN, VIVIANA sitting next to him pouring wine. She puts the cup to Bruno's lips. Bruno sips the wine. VIVIANA Let's get married. BRUNO I told you, Viviana. I'm not the marrying type. VIVIANA Gina thinks you're going to marry her. BRUNO I just don't know how to tell her. I've known her since we were kids. VIVIANA Marry me, Bruno. I'm hot stuff. BRUNO I know your are, but no way. Woman reaches over, grabs Bruno's crotch, Bruno SCREAMS. EXT. CAR - CONTINUOUS Car CAREENS from one side of the highway to the other and finally straightens out. Bruno and the Viviana LAUGH loudly. EXT. CEMETERY - CONTINUOUS Gina and Mark looking at gravestones. MARK There's so many Monacos here. Do you know who they all are? GINA More or less. We are taught from an early age. By the time we are grown up we know most of them. That way, someone in the family who died many years ago is always remembered. MARK That's a nice tradition. (studies a headstone) Who's this? HEADSTONE: "UMBERTO 'LUCKY' MONACO - SOLDIER - 1825-1900." 00020000064F000106AB649,GINA Let's see...it would your great-granduncle. He fought with Garibaldi to unify Italy. MARK I'm impressed. GINA Don't be. He deserted after the first battle and spent five years in prison. MARK So how did he get the Lucky? That doesn't sound very lucky to me. GINA He got the name when his wife caught him in bed with another woman and shot him six times and he still managed to survive. Mark shakes his head, they continue walking. MARK Look at this ancient gravestone. CLOSE ON HEADSTONE: "VINCENZO MONACO - ARCHITECT 1465-1573." GINA Vincenzo would be your... (uses her fingers to count) 16th cousin. A great man. He was a friend of Michelangelo. MARK Really! Tell me about him. GINA Vincenzo built the scaffold for Michelangelo to paint the Sistine Chapel. Unfortunately, it collapsed while Michelangelo was painting. MARK That figures. GINA To get even, Michelangelo painted Vincenzo's face in all his pictures that showed a group of men. They say if you want to see Vincenzo, look for the ugliest man in a Michelangelo painting. Mark drops his head in defeat. As they continue walking, Gina stumbles; Mark catches her in his arms their faces just inches apart. They look into each other's eyes and slowly their faces move closer together. About to kiss, they suddenly regain their composure and stop. They continue walking through the cemetery in silence. INT. HOTEL - EVENING Carrying his suitcase, Mark follows the clerk down the hall to another room. Mark keeps looking over his shoulder. CLERK This is the most secluded room in the hotel, Signore Monaco. No one will find you here. 0002000006E800010CF46E2,MARK I hope you're right. I need to get some sleep. CLERK Good night, Signore Monaco. MARK Good night. Clerk hands Mark the key and leaves. Mark unpacks a few items from his suitcase. Then picks up the telephone and dials. MARK (CONT'D) Hello Gina. You wanted me to call you and tell you what room I moved to. I'm in room 327. -- Sure, I'd like to go to the carnival. -- Okay, I'll pick you up tomorrow night at 8:00. Ciao. Mark finishes unpacking, leaves the hotel and walks to the church to read more family history. He looks around the church pensively. As he passes the confessional, an arm reaches out and pulls him inside the confessional. MARK (CONT'D) Who is it!? LENA It's me, Lena. MARK Lena, what are you doing in the confessional? Oh, my God! Not here. God will see us. LENA Not if we keep the door closed. Be quiet or you'll wake Father Michael. Mark tries to get out, but Lena has him trapped. MARK Lena, I'll never be able to go to communion again. LENA If it'll make you feel better, confess your sins while were doing it. After all, this is the place to do it. I want those earrings! MARK What earrings? Lena, please.... INT. POOL HALL - NIGHT Antonio, Bernardo and Bernardo's cohort, Guido, in a booth. ANTONIO So all you have to do is follow him and make sure he doesn't leave town. BERNARDO What if he calls his mother? And I'm sure he has a cell phone. Won't she say something like, I thought you were kidnapped? ANTONIO He doesn't have a cell phone. I don't think he will call her on a regular phone. I just have that feeling. But if he does, and he confronts me about it, I'll just deny that I called her. Then...we'll just really kidnap him. That's all. No big deal. Bernardo and Guido nod somewhat apprehensive. 0002000006D4000113D66CE,EXT. APARTMENT BUILDING SAN MARCO - NIGHT Bruno and Viviana return from Rome. They sit in car breathing heavy, kissing passionately. VIVIANA Let's go back to Rome, Bruno. BRUNO I wish we could, but I promised I'd sing for the church show and raffle tomorrow night. They continue kissing passionately. EXT. TOWN PIAZZA - NIGHT Rides, concession stands, Bruno SINGING on stage with band, PEOPLE dancing, strolling waiting for the show and car raffle to begin. Bernardo and Guido following Mark. Mark and Gina see astrology sign on tent: MADAM INDOVINA - PSYCHIC. GINA Mark, let's go see what's in your future, okay? MARK If it'll make you happy. But, I don't believe in that sort of thing. GINA Oh, come on, Mark. INT. TENT - CONTINUOUS Mark and Gina sit in front of jovial MADAM INDOVINA, dressed in a colorful outfit. Mark looks cynically at the woman who studies his hand with one hand and sips wine with other. MADAME INDOVINA I see...I see two women, a hotel room and...you. MARK Gina, ah...isn't fortune telling against the church doctrine? MADAME INDOVINA Beware of a short relative. You will take a ride on a donkey cart and a wooden coffin will save you. MARK Coffin? Am I going to die? MADAME INDOVINA Don't eat spaghetti on Monday, and whatever you do, don't go to the 7:00 o'clock mass tomorrow morning or you might catch the bubonic plague. MARK/GINA The bubonic plague? MARK Maybe I should have invested in Antonio's funeral business. GINA Maybe you should have. MADAME INDOVINA I see a vineyard. There is much confusion. The grapes are crying but you will make them happy again. Since you will stop the grapes from crying, I will bestow upon you the power to see things others cannot. That will be five-thousand lire. 00020000080900011AA4803,EXT. OUTSIDE TENT MARK What a character. You don't believe anything she said, do you? GINA Of course not. Ah...was she talking about the Pazzerello sisters? Mark looks straight ahead, doesn't answer. They walk toward the stage. Mark and Gina join Antonio and Domenica. The Pazzerello sisters sit nearby smiling coyly at Mark, Mark hides behind Gina. Bernardo and Guido sit nearby, watching Mark. Antonio nods slyly to them. Bruno and the band finish a SONG on stage. BRUNO And now ladies and gentlemen, we invite all the old ones on the floor for the Mask Dance. All OLD PEOPLE (including Antonio and Domenica) step onto the dance floor, put on full face masks and start dancing. MARK Who are the faces on the masks? GINA They're pictures of themselves on the day they were married. MARK Your mother was very beautiful. I see your father hasn't changed much. As Mark watches, he sees the masks on the old people slowly SFX: dissolve onto their faces and they now look as they did on their wedding day. Their bent bodies straighten and they dance with wild abandon as they did on the wedding day. Mark looks in disbelief, blinks, rubs his eyes. MARK (CONT'D) Gina, do you see what I see? GINA It's beautiful isn't it. You could almost imagine they're young again. MARK But they are. Can't you see? Gina smiles, pats Mark on the hand. GINA You have a romantic soul, Mark. You should get more sleep. As the MUSIC nears the end, SFX: the dancers' bodies become old once again and slowly walk off the dance floor. Mark baffled, trying to comprehend what he has seen. Bruno finishes singing and joins Antonio, Domenica, Gina and Mark. 000200000630000122A762A,ANTONIO You sing like Caruso, Bruno. You're going to be a big recording star someday. DOMENICA So, tell me, Mr. Big Recording Star, when are you gonna marry Gina? BRUNO (ignores question) Oh, Signora Monaco, you look very nice tonight. Hello Gina, Marco. DRUM ROLL on stage. ANNOUNCER steps to the microphone. ANNOUNCER And now, ladies and gentlemen, the St. Mark's Review. MONTAGE: TAP DANCERS, Young BALLERINAS, Opera SINGER. The show ends. Announcer walks on stage with a LITTLE GIRL. ANNOUNCER (CONT'D) Now, ladies and gentlemen, the moment you've all been waiting for. The raffle for the greatest car ever made. The 1981 Yugo Koaral Sedan from Yugoslavia rebuilt by master mechanic, Dino Pontani. Announcer gestures to DINO PONTANI in front row, who stands, smiles, and waves to the audience. Audience APPLAUDS. ANTONIO A Yugo! I never hear of it. Some poor idiot will probably win it. The little girl on stage pulls out a stub from a fish bowl full of ticket stubs and gives it to the announcer. ANNOUNCER The winning number is...2301. Domenica looks at her stub. DOMENICA We won! Antonio, we won! ANTONIO (looks at her stub) Oh, my God! We won the car! Antonio and Domenica hurry to the stage and show the announcer their ticket stub. Losers APPLAUD politely. Antonio smiles and rubs his hands in anticipation and looks around. ANTONIO (CONT'D) Where's the car? ANNOUNCER Unfortunately, Dino Pontani is waiting for the motor to arrive from Corsica. When it comes, the car is yours. MAN IN THE AUDIENCE (SHOUTS) Who's gonna bring it from Corsica, Napoleon? 00020000069D000128D1697,Audience LAUGHS, Domenica grabs microphone from the announcer. DOMENICA I would like to take this opportunity to announce the wedding of Bruno Zampezzi and my niece, Gina, next month. Everyone is invited. Audience APPLAUDS, people pat amazed Bruno on the back and shake his hand. Gina accepts congratulations happily. Mark very disappointed at the wedding announcement. Dino Pontani walks to Antonio as he leaves stage. DINO Antonio, they made a mistake. The motor arrived this morning. I'll hurry as fast as I can. I should have the car done in a week or so. ANTONIO Fantastic, Dino! Just for that, I'll give you a five percent discount on your funeral when you die. Dino looks at Antonio, flabbergasted. Mark walks back towards his hotel. Luna approaches, smiles, intertwines her arm with his. Bernardo and Guido follow Mark and Luna. LUNA Hey, Marco. Let's buy some wine and go to your new room. MARK Why not? You're gonna find the room sooner-or-later, anyhow. INT. MARK'S HOTEL - NEXT MORNING KNOCK at the door, Mark pulls pillow over his head. (Thinks it could be Lena or Luna.) MARK Go away! GINA (O.S.) Open the door. It's Gina. MARK I don't believe you. Go away! INT. HALLWAY - CONTINUOUS Gina KNOCKS louder. GINA What do you mean, you don't believe me? If you don't open the door, I'll get the desk clerk to open it. What is the problem? INT. HOTEL ROOM - CONTINUOUS Mark struggles to the door, opens it a crack, sees Gina, opens door, walks back to bed, collapses. Gina enters. GINA Marco, you look terrible. This is no place for you. I've decided you're going to rent the cottage in back of our house. Gina walks to the closet, pulls out Mark's suitcases. 0002000006CF00012F686C9,MARK What about Antonio? I don't think he likes me. GINA He likes money. He's been trying to rent the place for months, but no one wants to live that close to him. Mark struggles up as Gina starts packing his clothes. EXT. COTTAGE BEHIND ANTONIO'S HOUSE - DAY Quaint, secluded cottage, almost hidden by trees. INT. COTTAGE Mark and Gina unpacking Mark's suitcases. GINA I have the day off. Where would you like to go? MARK The vineyard. There's something about the vineyard. GINA Maybe something Madame Indovina said about the vineyard? MARK Who knows. EXT. CAR - DAY Car DRIVING through picturesque landscape and then into the entrance of the San Marco Vineyard. INT. CAR - CONTINUOUS Mark and Gina look in surprise as they behold angry WORKERS SHOUTING, milling around, waving fists, throwing rocks that BREAK WINDOWS of vineyard office. EXT. VINEYARD - CONTINUOUS Mark and Gina get out of car, walk to one of the workers. GINA What's going on? MAN They're going to rip out the vines and build a golf course. Mean-looking company MEN emerge from the office, shove the workers back including Pazzerello sisters. A riot breaks out. One of the men pushes Mark, Mark pushes back. Man SOCKS Mark, Mark SOCKS the man back, knocks him down. The man gets up, walks menacingly toward Mark. Pazzerello sisters appear and attack the man. Gina grabs Mark's hand, pulls him back to the car as Police cars arrive SIRENS blasting. Police try to restore order as MELEE continues. Mark and Gina DRIVE away. INT. POLICE STATION - FOGGIA, ITALY - DAY Ambitious, impeccably dressed and groomed, CAPTAIN NUNCIO CREDENZA combs his large mustachio with a small moustache comb in the mirror of his office as he talks to his AIDE. CAPTAIN CREDENZA 0002000006200001363161A,All I need is one big case with a lot of publicity. If I can get one like that, I know I can make Chief. Phone RINGS, the aide answers. AIDE Hello - Yes - Yes, sir! (to Credenza) It's a Captain Baldwin from the Los Angeles Police Department. Credenza takes the phone, but keeps combing his mustachio. CAPTAIN CREDENZA Captain Nuncio Credenza speaking. What can I do for you, Captain Baldwin? -- (eyes open wide) A possible kidnapping? -- Credenza nervously combs his mustachio faster. CAPTAIN CREDENZA (CONT'D) Yes, Yes -- Well let me explain. The reason Rome transferred you to me, and not Capt. Randazzo in San Marco is, we are federal agents. We handle international crime. San Marco is not equipped to do so. They are not equipped with a SWAT unit, we are. Of course, I will notify Capt. Randazzo and we certainly will work together. Uh-huh...uh-huh. You can count on us, Captain Baldwin. Yes, I'll keep you posted. Ciao. (hangs up-smiles) AIDE Sounds like the big one you've been waiting for, captain. CAPTAIN CREDENZA And the man who is going to make me chief is one...Antonio Monaco. AIDE Are going to notify Capt. Randazzo and inform him that you're bringing the SWAT unit? CAPTAIN CREDENZA No. He would just get in the way of the SWAT unit. Face it, all Randazzo knows how to do is swat mosquitoes with a fly swatter. INT. ANGELO BERTELLI’S BANK - SAN MARCO -- DAY Mark enters bank. Mr. Bertelli sees Mark, nods him over to his office, INT. OFFICE CONTINUOUS Mark hands Mr. Bertelli an envelope. MARK I’d like you to get this to Nino. 00020000069000013C4B68A,MR. BERTELLI I'll take care of it. Mr. Lombardo will have this by tomorrow morning or afternoon, Mr. Monaco. MARK Thank you, Mr. Bertelli. Mark and Mr. Bertelli shake hands and Mark leaves. INT. BANK - ROME - DAY Nino reads Mark’s message as he nudges a soccer ball around his office with his foot toward miniature goal posts in the corner of his office. MARK (V.O.) Greetings Nino Have you found out anything about the men who tried to kidnap me, or if they let that man go that they kidnapped? I hope they catch those men. Have you told the police about the other bank who wanted to loan you the drug money? Let me know. Things are going well here in San Marco. I’m really enjoying my vacation. I've had some crazy hallucinations that old people were young, and two wild and over-amorous sisters are making an invalid out of me. I wish I could call my mother and tell her I’m okay, but it wouldn’t be wise. Even if you called her, I’m sure those men would find out and it could lead back to me. I think it's time for me to get back home. I'm also starting to feel attracted to a girl here and I'd better leave before I get involved. I assume the money cleared? Let me know. Ciao, Marco. P.S. Do me a favor. See what you can find out about a Floral Corporation. They own the vineyard here. INT. COTTAGE BEHIND ANTONIO'S HOUSE - DAY Mark reads a return message from Nino Lombardo NINO (V.O.) Greetings Marco - Unfortunately, there is a hold on my money. I don't understand. What should I do? I'll wait for your instructions. By the way, the Floral Corporation wants out of the wine business. They're planning on building a golf course. Ciao, Nino. 00020000060C000142D5606,INT. NINO'S BANK -- DAY Nino reading return letter from Mark. MARK (V.O.) Nino - I tried to call my V.P. at her apartment from a public phone. I don't think those men know anything about her. I trust her implicitly. Unfortunately, it's the weekend and haven't been able to reach her. I'll keep trying. I'll get to the bottom of this. I'll keep you posted. Find out what kind of money the Floral Corporation want for the winery. Ciao Marco Nino kicks the soccer ball that hits another vase that SHATTERS. INT. SHANNON HILL'S APARTMENT - BEVERLY HILLS - NIGHT Shannon lounging, reading a magazine. Her telephone RINGS. SHANNON Hello. MARK Shannon, this is Mark. SHANNON Mark! Ah...How are you. MARK I'm okay. You sound surprised to hear from me. SHANNON I just didn't expect a call me at home. MARK Look. Someone's put a hold on the funds for Mr. Lombardo. Do you know anything about it? SHANNON No. It sounds like it could be a computer glitch or something. MARK Well, find out what the problem is and resolve it as fast as you can. SHANNON I'll get right on it when the bank opens Monday. MARK Is everything all right at the bank? SHANNON Everything is running smoothly. No problems at all. Where are you? MARK I'm visiting my relatives in a town called San Marco in Lamis. However, don't tell a soul. Not even my family. As soon as Lombardo's money clears, I'll be on my way home. I'll call you in a day or so. Take care. SHANNON All right, I'll wait for your call. Shannon hangs up, contemplates a few seconds, DIALS. 000200000614000148DB60E,SHANNON (CONT'D) I'd like to place a person-to-person call to Rome, Italy. INT. CARMINE BELLANAZZO'S APARTMENT - ROME - NIGHT Carmine Bellanazzo in a colorful robe, sipping wine and listening to opera MUSIC. Phone RINGS, Carmine answers. CARMINE Hello. SHANNON This is Shannon Hill. Mark Monaco just called me. I thought you had him incommunicado in Sicily? Under the circumstances, I can't keep a hold on Lombardo's money any longer. CARMINE Marco just called you? That's impossible! Are you positive? SHANNON Absolutely. CARMINE He must have escaped. SHANNON Well, he didn't sound flustered or anything. He sounded very calm. CARMINE I'll get to the bottom of this. Did he say where he was? SHANNON He said he was visiting relatives in San Marco in Lamis. CARMINE My men told me they have him in Sicily. Tell you what. Hold the money back three more days till I find out what's going on. I'll send you another 25 thou. SHANNON I don't know if I can do that now. It's going to be difficult now that Mark is back on the scene. CARMINE Will it be a little easier to hold the money back if I send you 35 thousand dollars right now? SHANNON I think I can handle the stress. INT. SECLUDED HOUSE - SICILY - DAY Dominic Perky, Lupini, Chi-Chi play cards. Tina Lucia sits next to Dominic running her fingers through his hair with a look of sincere love. Dominic lays his cards down. DOMINIC Full house. I win again. LUPINI Don't you ever lose? Dominic kisses Tina, pulls in the pot, Lupini and Chi-Chi grimace. Phone RINGS, Lupini answers. 00020000063500014EE962F,LUPINI (CONT'D) Hi, boss. What's that? Of course, we have Marco Monaco. Okay, okay. (HANGS UP) CHI-CHI What did the boss want? LUPINI A picture of the card shark. He wants me to bring it to him pronto. He seems really bent out of shape. DOMINIC I'm camera shy. Just tell your boss that I'm Marco Monaco. Lupini gets a Polaroid camera. Dominic puts his hands over his face. Chi-Chi holds Dominic's hands away from his face, Lupini takes pictures. EXT. ANTONIO'S HOUSE - DAY Mechanic, Dino Pontani, coasts the sharp-looking 1981 Yugo to the front of Antonio's house. Gets out, hurries into a car that followed him, SPEEDS away. INT. ANTONIO'S HOUSE -- CONTINUOUS Antonio hears a car door SLAM and walks outside. Sees the Yugo, walks around the car admiring it, surprised how good it looks, gets in and PEELS OUT. Giuseppe and Umberto walking a few blocks away. Antonio SCREECHES his car to a stop. The sons jump in surprise. ANTONIO Hop in. Let's go for a ride in my beautiful Yugo. I love this car. Brothers admire car, get in, Antonio SCREECHES away. INT. CAR - CONTINUOUS Driving erratically, Antonio swerves around corners, just misses cars and people. UMBERTO Papa, take it easy. You might hurt someone. ANTONIO Don't be ridiculous. I'm a good driver. Antonio misses a MAN who shakes his fist at Antonio. UMBERTO This car can really move. GIUSEPPE I never expected this, papa. UMBERTO Me neither. Dino did a great job, Papa. ANTONIO Of course, he did. I told him I'd give him a five-percent discount on his funeral when he dies. UMBERTO You're all heart, Papa. 00020000061D00015518617,GIUSEPPE Oh, look. There's Mario Sticco's house. EXT. MARIO'S HOUSE -- CONTINUOUS Mario's house sits on top of a small hill. Antiquated cannon sits on the front lawn. Yugo SCREECHES to a stop. INT. CAR -- CONTINUOUS ANTONIO Look at that decrepit cannon on his front lawn. It's a disgrace. UMBERTO Papa, he's had it since he came back from the Spanish Civil War in 1936. ANTONIO Yeah, but when is he gonna get rid of it? GIUSEPPE Probably never. UMBERTO Mario has quite a view. I never noticed before, but you can see our house down the hill from here. They all look at their house as the rooster chases the chickens and the goat grazes on Antonio's lawn. ANTONIO Does Mario still shoot the cannon on Garibaldi Day? UMBERTO Yes. ANTONIO It's a wonder he doesn't kill himself. GIUSEPPE He doesn't put much gunpowder in it. If he did, the cannon would probably blow up and kill him. ANTONIO (eyebrows raise) Really. By coincidence, isn't tomorrow Garibaldi Day? UMBERTO Yes, it is, Papa. EXT. MARIO'S HOUSE - LATE NIGHT Antonio sneaks up to Mario's house, pours a bucket of gunpowder into Mario's cannon and packs it in tight. He accidentally DROPS the bucket. Caesar rushes out of Mario's house, Antonio runs. Caesar chases him BARKING. Neighborhood dogs join in the chase also BARKING. A MAN comes out of his house and SHOOTS at Antonio thinking him a burglar. House lights turn on throughout the neighborhood as the chase and BARKING continues. Panicked and BREATHLESS, Antonio gets home and CRASHES into his house locking the door behind him. 00020000069C00015B2F696,EXT. ANTONIO'S HOUSE - NEXT MORNING Antonio polishing his car outside the house. He looks up at Mario's house, smiles deviously. Walks back into the house. INT. ANTONIO'S HOUSE -- CONTINUOUS Giuseppe, Umberto at the kitchen table drinking coffee, Antonio enters. ANTONIO Where are you two going? UMBERTO To church, Papa. I'm serving mass with Father Michael. Why not come with us? Mama and Gina are there helping decorate the church. We can celebrate Garibaldi Day together. GIUSEPPE I'm going, too. Come with us, Papa. ANTONIO No, I think I'll stay here and keep polishing my car and hear goombah Mario shoot off his cannon. It'll bring back those wonderful memories of being rejected by the army. EXT. MARIO'S HOUSE - CONTINUOUS Mario dressed in his time-worn army uniform with several medals on his chest. He loads a small portion of gunpowder into the cannon. He strains as he lifts a small cannon ball into the cannon. He strikes a wooden match, lights the fuse, slowly backs away, stands at attention, salutes. Caesar cover his ears with his paws. EXT. ANTONIO'S HOUSE - CONTINUOUS Antonio sits in his Yugo, proudly polishing the dash board. A WHISTLING SOUND is heard that gets LOUDER and LOUDER. Antonio's eyes open wide as an EXPLOSION rocks the car. Giuseppe and Umberto run out of the house. Antonio GROANS from inside the car. Giuseppe and Umberto rush to the smoldering wreckage. The car SHUDDERS and the driver's door FALLS OFF. Antonio staggers out, his face covered with soot and looks at the smoking car in disbelief. Slowly, he looks up at Mario on the hill and waves his fist as soot covered Mario feebly BLOWS taps on his bugle and Caesar YOWLS. 000200000647000161C5641,INT. CARMINE BELLANAZZO'S SUITE - ROME - NIGHT Lupini hands Polaroid picture of Dominic to Carmine. CARMINE Who's this skinny runt? LUPINI Why, it's Marco Monaco. Carmine sneers, walks to the TV, flips on his VCR. Picture shows Mark interviewed by TV reporter, Carlo Vinto, when he arrived in Rome. CARLO VINTO Signore. My name is Carlo Vinto. I host a TV show called First Visit to Rome. Is this your first visit? MARK Yes, it is. CARLO VINTO May I have a few words with you? MARK Sure. Why not. REPORTER May I ask your name, Signore? MARK Mark Monaco. CARLO VINTO Ah, you're American, but you're Italian, too. No? MARK Yes, my parents were born in San Marco in Lamis, in Southern Italy. CARLO VINTO Wonderful. What brought you to Rome? MARK I'm here on business and to see the beauty of Italy. And, I hope to go to San Marco and meet my relatives for the first time. CARLO VINTO Ah, you haven't forgot your Italian roots. I'm sure they'll greet you with open arms. On behalf of the citizens of Rome I want to welcome you and wish you a very pleasant visit. Thank you, Signore. Carmine angrily snaps off the VCR. CARMINE (furious) That's Marco Monaco! LUPINI But how can that be? CARMINE You kidnapped the wrong man, you idiot! Now get to San Marco in Lamis and kidnap the real Marco Monaco. LUPINI Now I know why the runt kept saying his name was Dominic Perky and that he was a canary trainer. What should I do with him? CARMINE Throw the son-of-a-bitch out! INT. SECLUDED HOUSE SICILY - NIGHT Tina giving Dominic a back rub; Dominic PURRS in ecstasy. Lupini bursts through the door. 00020000067C00016806676,LUPINI You impostor! You not Marco Monaco! You're really Dominic Perky! DOMINIC That's what I tried to tell you, but you wouldn't believe me. So, I was who you wanted me to be. Lupini yanks Dominic up to his feet. LUPINI Get the hell out of here before I take you across the street to the cemetery and blow your brains out. Dominic hurries to the door nervously WHISTLING like a canary. TINA Wait Mark, I mean, Dominic. Whatever your name is. I'm going with you. I love you. I wanna have your baby. Lupini and Chi-Chi give Tina a pathetic look, shake their heads. Tina takes Dominic's arm. Dominic runs the top of his fingers under his chin at the gangsters (Italian gesture of scorn), then turns and struts out the door with Tina. Chi-Chi stares in disbelief. LUPINI (to Chi-Chi) Don't just stand there. Get packed. We're going to San Marco in Lamis. INT. ANTONIO'S HOUSE - NIGHT Bandaged from the car explosion, Antonio plays cards, drinks wine with friends. Men look at their cards shifty-eyed. ANTONIO I bet a 100 lire. Are you in or out, Dr. Limosani? DR. LIMOSANI I think you're bluffing, Antonio, Doctor, other men put in their money, Antonio deals. LUIGI Too bad Mario blew up your car, Antonio. You're lucky he didn't blow up your house. ANTONIO Shut up and play cards, Luigi. PASQUALE Is everyone here going to Mario's 100th birthday party? DR. LIMOSANI I wouldn't miss it. ANTONIO Enough about Mario. I bet 300 lire. Put up or shut up. DR. LIMOSANI Here's your 300, Antonio, and I'll raise you two hundred. The doctor puts money in the pot. Antonio begrudgingly puts his money in. Other men pass, throw in cards, POUR wine. 0002000006B400016E7C6AE,ANTONIO You must be drunk to raise me. DR. LIMOSANI I am drunk. I deserve to relax. I delivered triplets to the Bordini family today. ANTONIO That's all we need in town, more people. Doesn't anyone ever die? PASQUALE Did you ever stop to think that the first one to die after all this time could be you, Antonio? LUIGI If that happens, you can bury yourself, Antonio. Men LAUGH at unsmiling Antonio. Losing some of his coordin-ation, Dr. Limosani spills his glass of wine on the floor. Antonio puts some rags on floor, pours the doctor more wine. PASQUALE I'll tell you, the old ones are terrified they're all going to die because the vineyard is closing down. ANTONIO Yeah, that would really be terrible, wouldn't it. -- I've got three queens! Antonio lays down his cards and starts to take the pot. DR. LIMOSANI Wait a minute, Antonio, three kings. Antonio in anguish, doctor smiles, pulls in the pot. LUIGI I wonder how old Caesar is? PASQUALE He's pretty old. I heard that Mario puts a bowl of wine next to his bowl of water everyday and Caesar drinks it. So who knows? ANTONIO Enough about Mario! Deal! Pasquale shuffles, deals cards. KNOCK at the door. Antonio frowns, walks to door, half way he turns around. ANTONIO (CONT'D) And when I come back, I don't wanna hear another word about Mario Sticco! Antonio opens the door. Mario stands in the doorway shaking. MARIO (GASPING) I think it's time. Give me a good funeral, goombah. Mario crumples into Antonio's arms, Antonio lays him down on the living room floor next to a sofa chair. ANTONIO Dr. Limosani! Hurry! It's Mario! It looks like he's dying! Dr. Limosani, Luigi, and Pasquale stagger to the living room. The doctor kneels down. 00020000067F0001752A679,DR. LIMOSANI Get back so I can examine him. Unseen by the three men, the doctor reaches for Mario's wrist lying next to one of the round legs of the sofa chair. Looking at his wrist watch, the inebriated doctor mistakenly holds the round leg of the sofa chair thinking he's taking Mario's pulse. The doctor shakes his head dejectedly. Fighting to keep his equilibrium, the doctor stands... DR. LIMOSANI (CONT'D) Mario is dead. He has about as much pulse as that chair next to him. The men look at Mario sadly, then... ANTONIO (ecstatic) Oh, my God! We're finally gonna have a funeral in San Marco! Men look in disbelief as Antonio dances around the room. INT. BASEMENT - LATER Smiling, Antonio circles Mario's body lying on a table. ANTONIO Now I won't have to make believe I've kidnapped Marco. I'll just call his mama and say Marco escaped and not to send the money. (thinks) On second thought, why do that? Antonio opens a cabinet with his back to Mario. He hears a MOAN and turns around slowly. He studies motionless Mario and shrugs. He takes a bottle of embalming fluid from the cabinet and finds it's empty. He tries all the bottles with same result. He looks at Mario, shakes his head. ANTONIO (CONT'D) Tough luck, goombah. All the embalming fluid has evaporated after all these years. Come to think about it, no one's gonna notice if you're embalmed or not, because you've looked embalmed for the last thirty years. EXT. COTTAGE BEHIND ANTONIO'S HOUSE - MORNING Lena Pazzerello sneaks up to the cottage, opens the door. INT. COTTAGE Lena sees Mark in bed. She enters and jumps on top of Mark. Groggy, Mark fights his way out of bed. 00020000066700017BA3661,MARK Lena! How did you find me? LENA It took a while. MARK What are you doing here? LENA Luna is two ahead of me. MARK What are you talking about? EXT. ANTONIO'S HOUSE - CONTINUING Gina exits her house, walks toward the cottage. INT. COTTAGE Gina walks in sees Mark with his pajama top ripped fighting off Lena, who is now trying to pull off his pajama bottom. GINA Excuse me. I'm sorry. I didn't mean to interrupt. MARK No, no! You're not interrupting. Come in! Come in! GINA Are you sure? MARK Yes. Please, don't leave, Gina. LENA Get lost, Gina. GINA What are you doing here, Lena?! LENA What does it look like I'm doing? GINA It looks like Mark doesn't want you to do that. LENA Stay out of this, Gina. Gina gently tries to pull Lena away from Mark. Lena shoves Gina away. Angry, Gina grabs Lena and they fight. Mark tries to break them up as they all comically wrestle around the room. Gina finally pulls Lena to the door and pushes her out. MARK (feigned sincerity) I don't know what would have happened if you hadn't of showed up. I hardly know her. GINA Her and her sister have a problem. However, I saw you fighting her off, You have dignity, Marco. MARK (guilty look) Thanks. EXT. LAW OFFICE - DAY Sign reads, "Mr. GIOVANNI D'ANGELO - ATTORNEY AT LAW." INT. ATTORNEY D'ANGELO'S OFFICE Caesar sits in a chair beside MR. D'ANGELO eating a doggie biscuit. Antonio and Domenica enter, sit across from Mr. D'Angelo, Domenica WEEPS, Antonio grimaces at Caesar. ANTONIO Why is that cursed dog here? Caesar GROWLS at Antonio. Antonio gives Caesar "up yours" gesture with fist and arm. Mr. D'Angelo shakes his head. 0002000006F1000182046EB,MR. D'ANGELO I'll explain Caesar shortly. My deepest sympathies, Domenica. DOMENICA Thank you, Mr. D'Angelo. Mario was a good man. MR. D'ANGELO Yes, he was. Antonio, I must say, this reading is very irregular. Mario only died last night. ANTONIO And I may die today. Just read! Mr. D'Angelo frowns, picks up the will MR. D'ANGELO Well, according to the will, Domenica will receive 360 million lire in cash, his stocks and bonds, valued at 120 million lire and his house. Antonio smiles, rubs his hands in anticipation. ANTONIO When do we get the money? MR. D'ANGELO Not for a while. ANTONIO What do you mean? MR. D'ANGELO Actually...Mario left everything to his dog, Caesar. After Caesar goes to doggie heaven, Domenica gets everything. That is, on the condition that Caesar dies of natural causes. D'Angelo smiles, pats Caesar, Caesar BARKS, wags his tail. ANTONIO (livid) This is insane! We'll contest the will! MR. D'ANGELO It won't do any good. The will is legal and binding. ANTONIO Then I'll strangle the dog. Caesar GROWLS. Again, Antonio gives Caesar obscene gesture. MR. D'ANGELO I wouldn't do that, Antonio. You see, if the dog dies by foul play, or if it even appears that he did, or disappears mysteriously, the money then goes to the church. ANTONIO The church? That's sacrilegious! (loses it) Now, I'll have to kidnap Marco, after all. MR. D'ANGELO What? ANTONIO I mean, try to keep my nephew in San Marco, so maybe he can help me figure out what do. He's a very smart man. MR. D'ANGELO The best thing you can do is pray to St. Francis every day that nothing happens to Caesar. Furious, Antonio again gives Caesar an offensive gesture. Caesar GROWLS, jumps off the chair and stalks Antonio, who gets up, walks slowly backward toward the door. 00020000073D000188EF737,MR. D'ANGELO (CONT'D) Wait, Antonio. You owe me 12 hundred lire for today. Antonio gives Mr. D'Angelo the "up yours" gesture. ANTONIO Get it from the damn dog! He's got all the money! Antonio runs out the door as Caesar BARKS and chases him. INT. CHURCH - MARIO'S WAKE - NIGHT MOURNERS view Mario's body. Antonio, Domenica, Gina, Mark, Umberto, and Giuseppe sit in the front pew. Bernardo and Guido, sit nearby watching Mark, who is totally unaware of the plot to keep him in San Marco, however, is becoming curious about the fact Bernardo and Guido always seem nearby. DOMENICA It's so sad. ANTONIO It sure is. That stupid lawyer said he's not sure how to pay me for the funeral. He says it might be more legal if I make the bill out to Caesar. DOMENICA How can you think of money at a time like this? ANTONIO I always think of money. Oh, no. Here comes my brother. Father Michael approaches Antonio and Domenica. FATHER MICHAEL Good evening Domenica, Antonio. DOMENICA Good evening, Father Michael. ANTONIO GRUNTS FATHER MICHAEL I'm very sorry for you loss, Domenica. DOMENICA Thank you, Father Michael. FATHER MICHAEL (looks at Mario) I must compliment you, Antonio. Mario looks exactly like he did when he was alive. It almost appears like you didn't do anything to him. Excellent job. ANTONIO I spared no expense. FATHER MICHAEL How come he's in a wooden coffin and not a casket? ANTONIO No one's died in San Marco for seven years. What am I supposed do, keep expensive caskets on hand for the undead? I'll tell you one thing, I hope this is a trend. Father Michael shakes his head, walks to a small altar, makes the sign of the cross and prays in Latin. Suddenly, a MOAN is heard. Everyone looks around trying to locate the source. Unable to locate the source, they look at Mario, see him stoic, shrug and continue to pray. 00020000062800019026622,INT. FRONT ROOM ANTONIO'S HOUSE - NEXT AFTERNOON Antonio looks around to make sure he's alone, goes to the phone, DIALS. INT. KITCHEN - CONTINUOUS Unknown to Antonio, Gina enters the back door quietly with flowers, sorts them, and hears Antonio on the phone. ANTONIO Hello, Mrs. Monaco. Did you send the ransom money for Marco's kidnappers, yet? They're getting mad. It's been a week now and they said if they don't get the money soon, they'll do something to Marco. Gina bewildered, edges quietly toward the front room. JOSEPHINE I mailed the money this morning just as you instructed. ANTONIO (TO PHONE) Good. I'll call you when I get the ransom money and get Marco safely away from the kidnappers. Ciao. Antonio HANGS UP then DIALS again. INT. POOL HALL - CONTINUOUS Bernardo and his buddy, Guido, shooting pool. Phone RINGS. Bernardo answers. ANTONIO Bernardo, this is Antonio. I just talked to Marco's mother. She finally sent the ransom money. It'll be here soon. Just make sure Marco doesn't leave town before the money arrives. BERNARDO Okay. But I'm still worried he may call his mother and discover what we've done. In that case, he could call the police and have us arrested. ANTONIO Okay. If you're that worried that he may call his mother, blow up the main telephone transformer outside of town. BERNARDO What!? Are you crazy? INT. KITCHEN ANTONIO'S HOUSE - CONTINUOUS As Antonio talks, Gina sneaks away. She hurries to the back cottage looking for Mark, but can't find him. She hurries to the church and then through town looking for him. 00020000065900019648653,EXT. PIAZZA BOCCIE COURT - CONTINUOUS Mark playing boccie ball with OLD ITALIANS. MAN PLAYS accordion, SINGS. Mark throws ball awkwardly, grimaces, shrugs, throws next ball for good position, men smile, shake his hand. An OLD MAN pours Mark some wine, all toast. Frantic, Gina sees Mark playing boccie, runs to him. MARK Gina, what's wrong? Gina pulls Mark away from the men. GINA (breathless) I've been trying to find you for hours. My father is planning to kidnap you. Your mother's already sent the ransom money and... MARK What are you talking about? GINA Antonio has plotted with someone to keep you in town. They're going to blow up the telephone transformer so you can't call your mother. MARK That's outrageous. We'd better call the police and tell them. They hurry to a phone booth, Mark puts in COINS, DIALS. An EXPLOSION is heard. Mark and Gina look at each other in disbelief. Mark CLICKS the phone several times. GINA It looks like they've already blew up the telephone transformer. Mark and Gina walk in silence. MARK So, I'm supposed to be kidnapped. GINA Yes. The best thing you can do is not let Antonio and those men know that you are aware of it. Just play along until we can think of some way to get you out of town. MARK I think you're right. I wondered why those two goons were always following me. They're probably the same men who just blew up the telephone lines. EXT. DESERTED FIELD OUTSIDE SAN MARCO - NIGHT HELICOPTER lands. Carmine Bellanazzo's gangsters, Lupini and Chi-Chi, get out, helicopter FLIES away. Car meets the men, men enter car, car SCREECHES away toward town. 00020000063D00019C9B637,INT. HOTEL COCKTAIL LOUNGE - LATER Music PLAYS, people dance happily. Mark, Gina sip wine silently at table, watch Bernardo, Guido across the room watching them. Lupini and Chi-Chi enter, look around. Mark sees them, hides his face behind a menu. MARK Gina, you see those two men who just came in? GINA You mean those mean-looking men? MARK Yes. They tried to kidnap me when I arrived in Rome and I bet they're here to try it again. GINA Marco, what are you talking about? MARK I have a confession. I'm not a bank teller, I'm a bank president. I came to Italy to loan another banker millions of dollars and those men tried to kidnap me so I wouldn't. GINA Is this the truth? MARK Yes. GINA We should go to the police. MARK You're right. Let's go. Mark and Gina sneak from the lounge followed by Bernardo and Guido, while the Lupini and Chi-Chi keep looking for Mark. EXT. POLICE STATION Mark, Gina enter police station, Bernardo, Guido hurry away. INT. SAN MARCO POLICE STATION Indifferent, CAPTAIN RANDAZZO listens to Mark and Gina as he swats flies with a fly swatter. CAPTAIN RANDAZZO Look. I've got some maniac out there who blew up the phone lines to town earlier. And I'm short on manpower. Now you want me to arrest two men who just came to town who, maybe, are going to kidnap you. MARK Actually, there are four men who are trying to kidnap me. Two of them are right here in town. CAPTAIN RANDAZZO (shakes his head) Do you suffer from paranoia? MARK No, I don't suffer from paranoia! CAPTAIN RANDAZZO Well, until one or more of the four do kidnap you, I can't do anything. 0002000006320001A2D262C,MARK So what are you going to do after they kidnap me? CAPTAIN RANDAZZO I'll arrest them. That's how the law works. MARK But you won't know where they've taken me. CAPTAIN RANDAZZO (total confidence) Randazzo always get his man. Mark, Gina look at each other in futility. CAPTAIN RANDAZZO (CONT'D) I can put you in jail for the night, if you feel in danger. MARK I don't want to go to jail, I want you to put those men who are trying to kidnap me in jail. Capt. Randazzo turns his attention to some mosquitoes flying nearby and swats wildly. Mark and Gina watch passively. GINA Let's go, Mark. I have an idea. EXT. POLICE STATION Outside, Mark and Gina look around for Bernardo and Guido. Satisfied they are not around, hurry away. INT. CHURCH SCHOOL - LATER Mark and Gina in the costume room. Gina searches in a box. MARK What are you looking for? Gina pulls out a wig, a beard, and a large mustachio. She helps Mark put on the disguises. INT. CHURCH - NEXT. DAY Mario's funeral mass at church. Antonio, Domenica, Gina, Giuseppe and Umberto in first pew of church. Mark sits farther back in his disguise. Father Michael says mass, Umberto assists. Mario's coffin is open in the aisle for all to see. Bernardo and Guido enter the church, followed by Lupini and Chi-Chi. The four men walk down aisles looking for Mark. Mark watches the men nervously. Suddenly, a sorrowful MOAN is heard. Bewildered mourners look around for the source and then look at Mario. An OLD MAN stands, walks to coffin, studies Mario, shrugs to mourners, mourners relieved, continue to pray. 0002000006340001A8FE62E,EXT. CHURCH - CONTINUOUS Mass over, the mourners and Caesar walk behind a donkey cart carrying Mario's coffin. Mark walks behind Gina unrecognized. Band follows PLAYING funeral music. Bernardo and Guido walk among mourners still searching for Mark. Lupini and Chi-Chi join in the procession asking people questions about Mark. Mark looks with alarm as he finds himself walking between Bernardo and Guido on one side and Lupini and Chi-Chi on the other side. Procession stops at Antonio's house, where the mourners enter. INT. ANTONIO'S HOUSE - CONTINUOUS Wine is poured. Mark and Gina, hurry through the house and out the back door to Mark's cottage. Mourners toast farewell to Mario. FATHER MICHAEL To Mario, on his journey to paradise. All toast and drink. Bernardo, Guido, Lupini and Chi-Chi look for Mark in the house, unaware of each other's intentions. Not finding Mark, the men walk outside in different directions searching for Mark around the house. EXT. FRONT OF ANTONIO'S HOUSE - CONTINUOUS The donkey pulling Mario's coffin walks from the front of the house to Mark's cottage eating grass. Caesar follows. INT. BACK COTTAGE - CONTINUOUS Mark sees the donkey cart and coffin outside his window. MARK Gina, look! The donkey cart! GINA It's just like Madame Indovina said. Hurry. This is your chance to get out of town. You can take the dirt road behind the cottage. No one ever uses it any more. It will take you under the bridge and toward Foggia where you can catch a plane. Hurry, we have to take Mario's coffin off the cart. EXT. COTTAGE - CONTINUOUS 0002000008C80001AF2C8C2,Mark and Gina exit the house, try to lift Mario's wooden coffin off the donkey cart. GINA It's too heavy, Marco. MARK It looks like we have to take Mario's body out of the coffin first and take it inside. Gently, Mark lifts Mario's body from the coffin and carries it into the house as Gina slides the top back over the coffin. Caesar follows, tail wagging. INT. COTTAGE - CONTINUOUS They carry Mario into the bedroom, lift him gently onto the bed and cross his arms gently. Caesar jumps on the bed and snuggles next to Mario. MARK I feel terrible about this. GINA Me, too. But we had no choice. Let's go get the coffin off the cart so you can leave. Gina and Mark hurry toward the back door. See Lupini and Chi-Chi looking inside the kitchen window. Mark crawls on his hands and knees and quietly locks the back door. Men walk to door and try to open it. Unable to, the men walk back to the Monaco house in front. Obviously frustrated, they get into their car and DRIVE away. EXT. COTTAGE - CONTINUOUS Lupini and Chi-Chi gone, Mark and Gina hurry outside begin to take wooden coffin off of the cart as VOICES can be heard. VOICES (O.S.) Where's the cart! Where's Mario? With nowhere to hide, Mark jumps into the coffin. Gina quickly slides the top of the coffin over Mark. A MAN approaches, leads the donkey back to the front as mourners assemble behind the cart. Father Michael, leads the procession toward the cemetery. Domenica and the old women WEEP loudly. Gina joins the procession wondering what to do. EXT. CEMETERY The procession arrives at the cemetery. Pallbearers take the coffin off the cart, lay it beside an empty grave. Gina looks on nervously. Father Michael PRAYS aloud. When he's done, he motions men to lower the coffin into the ground. Suddenly, a loud KNOCK is heard from inside the coffin. Startled, the men quickly back away. Mourners GASP, also back away in fear. The lid of the coffin RATTLES, starts to open. Pandemonium, as mourners, including Antonio, SCREAM, run from the gravesite believing Mario has returned from the dead. Domenica faints. Only Gina, Giuseppe, Umberto and Father Michael remain at the gravesite. They try to revive Domenica. Mark finally steps out of the coffin. 0002000006140001B7EE60E,FATHER MICHAEL Marco! What were you doing in there? Where's Mario? MARK Gina will explain later. GINA Get on the cart, Marco. I'll have to show you how to handle the donkey. Mark jumps on the cart, Gina gets on, takes the reins. Mark waves farewell to the family. Confused, Father Michael, Umberto, Giuseppe wave goodbye as Mark and Gina RIDE away. Exhausted from running away from the cemetery, Antonio finally turns around and sees Mark and Gina on the cart driving away. Realizing he's been duped, he runs back toward the gravesite. EXT. MARK'S COTTAGE - CONTINUOUS See broken window in cottage door. Loud SCREAMS from inside. We see Bernardo and Guido running out of the cottage as resurrected Mario jogs out of the house (a little faster than usual) with tail-wagging Caesar BARKING behind him. Bernardo and Guido stumble, fall and crawl away in fear as Mario jogs past them toward the cemetery. Meanwhile, the terrified mourners, still running away from Mario's ghost at the cemetery, now behold Mario jogging straight at them. Women faint, fall to their knees, pray, others SCREAM, men run in terror. Exhausted, Antonio arrives back at the gravesite unaware that Mario is running in his direction. Father Michael, Umberto and Giuseppe help Antonio to a chair. Domenica awakens from her fainting spell. GIUSEPPE Papa, can you explain all this? ANTONIO Marco hid in Mario's coffin so he could kidnap Gina. FATHER MICHAEL That's ridiculous. Gina drove the cart away. She went of her own accord. DOMENICA But what happened to Mario? 00020000062D0001BDFC627,ANTONIO That heathen, Marco. He probably buried him somewhere. We'll probably never see poor Mario again. UMBERTO (wide-eyed-points) If Marco buried Mario, who's that jogging straight toward us? Mario jogs toward the family with tail-wagging Caesar behind him. Antonio looks in disbelief and once again flees, Domenica faints again, Giuseppe, Umberto motionless. As Mario jogs by Father Michael, Caesar BARKS hello. With questioning look and outstretched arms, Father Michael looks to the heavens for an answer. EXT. OLD BRIDGE - LATER Mark and Gina on the cart under the old bridge. Gina brings the cart to a halt. GINA I think you can drive the donkey, now. MARK I think so. GINA This is probably the last time we'll ever see each other. MARK Thanks for your help. Why don't you come with me and live in America for a while? GINA Thank you, but I could never leave my family, my friends, my roots. MARK I don't know, but sometimes I think I belong here. GINA Your soul may be Italian, but you're American. It's time for you to return home. Gina jumps off the cart, hits the donkey, the donkey moves forward. GINA (CONT'D) Just follow the dirt road. It will take you to Foggia. Handle that donkey like I told you. The donkey will find its way back. Mark and Gina wave goodbye. As Mark drives away, he looks at the beauty of the vineyard in the distance, then turns back for one last look at Gina, who is not there. EXT. CEMETERY - CONTINUING Gina walks, stops at the grave of "Lucky" Monaco, reflects. Looks up at airplane FLYING in the sky and waves pensively. 0002000006270001C423621,EXT. ANTONIO'S HOUSE - CONTINUOUS Looking totally exhausted from Mario's funeral, Antonio walks outside into his back yard. Suddenly, Lupini and Chi-Chi comes out of the bushes and holds guns to Antonio's head. LUPINI Where's Marco Monaco? ANTONIO (terrified) After he got out of Mario's coffin, he jumped on a donkey cart and flew back to America. Don't kill me! Lupini and Chi-Chi look at each other bewildered, shake Antonio. Put guns to Antonio's crotch. Antonio's wide-eyed. LUPINI Where's Marco Monaco? ANTONIO I'm telling you, after he got out of Mario's coffin, he jumped on a donkey cart and flew back to America. Honest. Don't kill me! Please. CHI-CHI You'd better be telling the truth. If not, we'll be back. Now go. INT. KITCHEN ANTONIO'S HOUSE - CONTINUOUS Terrified, Antonio runs wildly back into the house. DOMENICA Antonio, what happened? ANTONIO (GASPING) Two men were looking for Marco. They were gonna kill me. Picks up phone, DIALS. DOMENICA Antonio, the phone's out of... ANTONIO (SHOUTS) This is Antonio Monaco! I demand you send the police to my house, immediately! Suddenly, Captain Credenza and his SWAT TEAM CRASH through the front door, guns in hand. Credenza handcuffs bewildered Antonio. Dominica petrified. Police quickly RANSACK the house while Credenza frantically combs his mustachio. CAPTAIN CREDENZA Where is Marco Monaco? ANTONIO After he got out of Mario's coffin, he jumped on a donkey cart and flew back to America. Credenza combs his mustachio faster. Police finish the search, look at Captain Credenza and shrug. 0002000006630001CA4465D,CREDENZA I'll give you one last chance, Antonio Monaco, to tell me where he is. This time, I want the truth! ANTONIO I told you. After he got out of Mario's coffin, he jumped on a donkey cart and flew back to America. CREDENZA Get this lunatic to Captain Randazzo at the police station and tell the helicopter pilot we're staying the night. I'm going to interrogate Antonio Monaco until he confesses. Police pull wild, protesting Antonio into police car, SCREECH away sirens BLASTING, Domenica SOBS. EXT. BEVERLY HILLS BANK PLAZA - THREE MONTHS LATER - DAY Sweep of plaza, PEOPLE walking, Tony's barber shop, etc. INT. BANK - MARK'S OFFICE - DAY Mark looking out the window, daydreaming. Jennifer Wong enters, puts a folder on his desk. Mark returns to desk. JENNIFER Here's the folder on the Rome Bank/ Dino Lombardo account. The money and interest have now been completely paid back. MARK Good. You can just file it. Ah...has anyone ever heard anything from Shannon Hill? JENNIFER No one. Sorry, Mr. Monaco Mark nods. Jennifer leaves. Mark gets up, stares out window. INT. JOSEPHINE MONACO'S HOME - NIGHT Mark, his mother, Josephine; his brother, Vincent having dinner, Opera MUSIC plays softly in the BG. JOSEPHINE I told you not to visit those people. It's a wonder you weren't killed. MARK Can we talk about something else. I've been back three months and that's all we've talked about. VINCENT I told you we're not like the Italians anymore. Pass the spaghetti and meatballs will you, Mark. Mark shakes his head, passes the spaghetti bowl. MARK I want you to know that most of the Monacos are decent people. 0002000007300001D0A172A,JOSEPHINE Well, Antonio Monaco has to be the most diabolic and stupidest man I've every dealt with. Doorbell RINGS. Vincent answers, returns with Felice. VINCENT Look who's here. JOSEPHINE Felice! How are you? Join us. MARK It's good to see you, Felice. FELICE Hello, everyone. Welcome back, Mark. Mark stands, kisses Felice on the cheek. MARK I'm sorry about you and Guy breaking up. Mother told me about it. FELICE Thank you, Mark. Felice joins the family at the table as they continue dinner. EXT. BACK YARD - LATER MARK So, how's business? FELICE My father made five million dollars last month. MARK Is that all? How about you? FELICE More than I'll ever need. MARK I imagine you'd be a success at anything you'd do. FELICE I seem to be a failure at love. MARK Do you still think of Guy? FELICE Yes and no. How's your romance meter? MARK About the same as yours. FELICE I'll tell you though, I'm tired of being in this downer situation? MARK Me, too. Well...you have any ideas? FELICE I got it. How about you and I going some place and having a drink? MARK Sure, why not? Any place special? FELICE Well, how about at Your Place or Mine? Mark taken aback stares at Felice in surprise. FELICE (CONT'D) (smiles) I'm not that easy, Mark. Your Place or Mine is a new restaurant in Malibu that opened recently. Mark smiles sheepishly: SHOT: Mark and Felice laughing, enjoying each other's company at the restaurant. MONTAGE SHOTS: Mark and Felice at the tennis matches, museums, the ballet, restaurants enjoying their common interests and company. Felice driving Mark in her convertible along the coast. Mark and Felice on a hillside overlooking the ocean. They embrace and kiss. (However, we detect in their demeanor a relationship more of convenience than true love.) Felice and Josephine shopping for a wedding gown. 00020000062A0001D7CB624,INT. FELICE'S LIVING ROOM - DAY Felice at her desk going over papers. Doorbell RINGS. She gets up, opens the door. Guy looks at her solemnly. She slowly closes the door, but Guy puts his foot in the doorway. GUY May I come in? FELICE Why? So you can tell me about the last girl you got pregnant? GUY I'm not like that any more. Please, let me come in and explain. FELICE You explained everything when you didn't come back. GUY I didn't come back because I had to find out if I loved you. FELICE What! That's great! While you made you mind, I cried! Was that fair? GUY No, but face it, Felice. You're an extremely intimidating woman. It's not easy being in love with someone like you. I've never been in a relationship where I wasn't in charge. Felice studies Guy a bit and slowly opens the door. INT. BEVERLY HILLS BANK - CONTINUOUS Mark at his desk looking over documents, becomes bored, pushes document away, leans back, closes his eyes. Phone RINGS. MARK Hello FELICE Mark, this is Felice. I won't be able to make dinner tonight. In fact, I'll be busy for three or four days. I've got some important business to take care of. MARK Work, work, work. You're worse than me. FELICE I'll call you when I have things completed. MARK Fine. Are you all right? You don't sound your usual effervescent self. FELICE I'm fine. Take care. Goodbye. Mark hangs up, contemplates the conversation, shrugs. INT. ITALIAN RESTAURANT - NIGHT Festive atmosphere, musicians PLAY and SING Italian songs on the stage. Mark sits at the bar. GINO Another drink, Mr. Monaco? 0002000006CA0001DDEF6C4,MARK One more for the road, Gino. GINO You must really like this place. You're here almost every night. MARK It's the atmosphere, Gino. Carmine Bellanazzo from Rome and a group of MAFIA LOOKING types sitting in a back booth talking clandestinely. As they talk, Carmine notices Mark sitting at the bar. He looks in surprise and walks over to him. CARMINE Scusi, Signore Monaco. Allow me to introduce myself. My name is Carmine Bellanazzo. I believe you know my cousin, Nino Lombardo, in Rome. MARK Why, yes. So you're Nino's cousin. It's a pleasure to meet you. How did you know me? CARMINE I saw you on a television show. MARK Oh, yes, the day I arrived in Rome. I'm surprised we didn't meet in Rome. CARMINE To be honest, you'll never know how much I wanted to meet you. I'm a banker, too. I'm glad your business with Nino worked out so well. MARK Thank you. I'm surprised Nino never mentioned you. Maybe, we can do some business in the future. CARMINE Sounds good. I have to get back to my friends. Nice meeting you, Mr. Monaco. MARK Same here, Mr. Bellanazzo. Give my regards to Nino. Ciao. CARMINE Oh, I will. I'm flying back to Rome tomorrow. He'll be quite surprised when I tell him I met you. Ciao. They shake hands; Carmine walks back to his table. Mark watches as Carmine and his cohorts stand and walk toward the door. As they do, Mark sees Lupini and Chi-Chi behind Carmine and the recall of Dominic and his "almost" kidnapping flashes before him. Mark bewildered. Gino sees Mark's confusion. GINO Are you all right Mr. Monaco? MARK I must have drank too much or something. I'm seeing things again. Can you order me an antipasto? I'd better play it safe and have a snack before I drive home. 0002000006BD0001E4B36B7,GINO Sure thing. Gino walks away to order. Mark looks at the band as they PLAY. Three OLD MEN sitting between him and band, turn and wave at someone near Mark. Mark sees smiling faces of Antonio, Father Michael, and Mario waving at him. Mark shakes his head and rubs his eyes. Looks again, sees three unfamiliar men waving at a waiter nearby. Gino returns. GINO (CONT'D) Your food will be right here. Are you sure you're all right, Mr. Monaco? MARK I'm starting to wonder. Mark then imagines he sees Gina in a waitress outfit walking by. He jumps up and hurries after waitress. MARK (CONT'D) Gina! Gina! WAITRESS (turns-smiles) Sofia, Signore. MARK I'm sorry, I thought you were... Mark returns to bar frazzled. GINO Don't you feel well, Mr. Monaco? MARK I don't know. It all started with Madame Indovina and the Mask Dance. INT. MARK'S APARTMENT - LATER Holding his mail, Mark enters, sorts mail, finds a package from Italy and quickly RIPS it open. He finds a letter and a CD with Bruno's smiling face on the front of it. Mark looks in disbelief then puts the CD into the CD player. He opens the letter and reads as Bruno SINGS. GINA (V.O.) Dear Marco. I am writing to thank you for the check you sent to Mama for eight thousand dollars. The church now has a fine statue of St. Mark. Everyone is happy. I have something amazing to tell you. Mario Sticco is alive. You must have the hands of a saint. After you took him out of the coffin, he came back to life and scared the whole town, although, many in town are not sure if Mario is still alive or a ghost from the dead. Mario still jogs with Caesar everyday. So, no one has died in San Marco yet. Mark stops reading, reminisces a few moments. 0002000006EC0001EB6A6E6,GINA (CONT'D) Umberto is at the seminary studying for the priesthood and Giuseppe is getting married. Things are very bad for those who lost their jobs at the vineyard. It's still closed. However, the old ones who are running out of wine are terrified that they are going to die when they do. As you can see Bruno has recorded his first album. He's now a big star in Italy. He wrote and told me he's not coming back. He said his career comes first. I hope all is well with you. Enclosed is an invitation Giuseppe wanted me to send you. With deep affection, Gina. Mark opens the invitation. GIUSEPPE (V.O.) This is to announce the marriage of Giuseppe Monaco and Anna Russo. You are cordially invited to attend. The marriage will take place at St. Mark's Church, October 12th. Father Michael Monaco will perform the ceremony and seminarian, Umberto Monaco, will assist. Mark sits back in thought as he listens to Bruno SING. INT. CARMINE BELLANAZZO'S APARTMENT - ROME - NIGHT Police break into Carmine's apartment and arrest him and Shannon Hill. Confident, Carmine, unfazed by the arrest, tells Shannon not to worry he will take care of everything. However, Shannon is very frightened and concerned. EXT. ROME - OUTDOOR CAFE - CONTINUOUS Lupini and Chi-Chi sip cappuccino. Slyly, several policemen surround the men and, after a brief scuffle, Lupini and Chi-Chi are arrested and taken away. EXT. PANORAMA OF LAS VEGAS - NIGHT INT. WEDDING CHAPEL Couple getting married. From the back of the room camera moves toward them. Then camera slowly pans around and we see Felice. (At this point we don't see who she's marrying. Is it Mark?) The camera then slowly pans in on Guy. They smile happily as Elvis SINGS "Love Me Tender" in the background. 00020000067A0001F250674,EXT. VINEYARD SAN MARCO, ITALY - DAY Sign reads: "WINERY REOPENING CELEBRATION." Band PLAYS, people drink wine, dance. Antonio, Domenica, Giuseppe, his bride to be, Anna, Umberto and Gina in the crowd. Father Michael and town dignitaries sit on a make-shift stage. Father Michael stands, walks to microphone, holds up his hands. FATHER MICHAEL This is a happy day for San Marco. God has lifted the veil of darkness and shined his light, once again, upon us. Of course, with the help of the man who bought the winery. People APPLAUD. FATHER MICHAEL (CONT'D) I'm sorry I had to keep his identity secret, but that's what he wanted. But now, I'd like to introduce the new owner. A man whose family once owned these vineyard many years ago...my nephew, Mr. Marco Monaco. Mark emerges from behind stage canopy, walks to Father Michael, they clasp hands raise them high. Crowd CHEERS, APPLAUDS. EXT. VINEYARD - CONTINUOUS Antonio SLAPS his forehead in anguish as he watches people shake Mark's hand and thank him and then stabs himself with invisible knife. Gina, Domenica and the Umberto, Giuseppe look on in surprise. MARK I just want to say that everyone will have their same job back at the same wages. And I vow that the San Marco Vineyard will never close again, or become a golf course as long as I own it. Now, let's celebrate. A BAND PLAYS as Mark steps off stage. Happy people shake his hand, and pat him on back as he walks toward Gina and the family. Smiling happily, Umberto, Giuseppe shake Mark's hand, Giuseppe introduces him to Anna, Domenica kisses Mark on the cheek. Antonio hides behind Domenica. Gina, embraces Mark warmly. 000200000B680001F8C4B62,MARK (CONT'D) It's good to see you all again. GINA I can't believe you're here. MARK I can't believe it either, but here I am. DOMENICA Welcome, Marco. God bless you for sending the money. MARK Your welcome, Domenica. (to Antonio) Hello, Antonio. I'm looking forward to talking to you. Antonio GRUNTS EXT. VINEYARD - LATER Mark and Gina walking by themselves. GINA This is a wonderful thing you've done for the town. MARK I did it for myself, too. I have this feeling inside that, if I had grown up here in San Marco, I would have owned the vineyard. GINA I think you're right. MARK I thought a lot about you while I was in America. GINA I thought about you, too. MARK Have you heard from Bruno? GINA No. Now that he's a big star I doubt if I ever will. The sound of a HELICOPTER APPROACHING catches everyone's attention. It lands, Bruno jumps out. People run to Bruno. Bruno sees Gina. Crowd follows as he struts to her, grabs her around the waist and kisses her. BRUNO This is your lucky day, Gina. I've come back to ask you to marry me and to take you to Rome with me. GINA Lucky day? You go away, tell me you're never coming back, and then you show up and ask me to marry you? Bruno LAUGHS, grabs Gina, tries to kiss her again, Gina struggles to get away, Mark pulls Bruno away from Gina. BRUNO Ah, the Americano. I bet you've been telling Gina all those lies about me. I'll have to teach you a lesson. Bruno lifts his fists, dances around Mark. MARK Bruno. What are you doing? Bruno prances around Mark with comical footwork, jabs from a distance, smiles at the crowd, gets close to Mark, Mark SOCKS him once, Bruno collapses. Lena and Luna Pazzerello appear out of the crowd and help Bruno up and back into helicopter. They remain on the helicopter as it TAKES OFF and flies away. EXT. VINEYARD - CONTINUOUS Mark and Gina alone once again, walking through the vineyard. GINA When will you be going back home? MARK I've decided to stay a while. After all, I just bought a vineyard. My brother, Vincent, is going to run the bank. Who knows, I may meet a girl, get married and never go back. Gina smiles as they walk back to the celebration. Dominic Perky and Tina Lucia, each holding a canary cage - the canaries singing happily - pass by Mark looking like two lovers. Mark's recall comes slowly and when it does, Dominic and Tina are gone. Mark smiles knowing that Dominic is safe. Mark's attention turns to Mario who jogs by with Caesar. Caesar sees Antonio and chases him. Antonio flees, everyone LAUGHS. Mark and Gina stand arm-in-arm smiling happily as we hear church bells Ringing, see a panorama of the celebration and finally see the vineyard of San Marco. THE END Script - THE GRAPES OF SAN MARCO by Mark Traversino Љ Music for THE GRAPES OF SAN MARCO on the internet at: http://www.Hollywoodmuse.Com/grapes/music.Html Music: Љ Library of Congress - Mark Anthony PUBLISHING 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